A Quote by Alison Fell
The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued.
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You must be mistaken," Isabel said, unconcerned by the insult that the words carried. "I assure you i am not. Voluptas is nearly always portrayed wrapped in roses. If that were not enough, her faces confirms her identity." "You cannot tell a goddess from a face carved in marble," she scoffed. "You can tell Voluptas by her face." "I've never even heard of this goddess, and you know what she looks like?" "She is the goddess of sensual pleasure." Isabel's mouth fell open at the words. She could not think of a single thing to say in response. "Oh
My sister, with her ratty red-highlighted hair and her linen pajamas and her combat boots—how could she possibly worry about being possessed by a goddess? What goddess would want her, except the goddess of chewing gum?
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
To Witches, the cosmos is the living body of the Goddess, in whose being we all partake, who encompasses us and is immanent within us. We call her Goddess not to narrowly define her gender, but as a continual reminder that what we value is life brought into the world ... She has infinite names and guises, many of them male.
What are you doing?" "Kneeling before a goddess." "I'm not a goddess." "You are. A goddess, a princess, a queen. As a soldier, I pledge myself to your service. As a prince, I grant you any boon within my power. As a man, I ask to sit at your feet and worship you. Ask me to do anything for you and I will do it.
In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.
Could you please put this--could you all put these--could you get dressed, please?" The woman only bestowed a serene smile on me. "We are as the Goddess requires." "The Goddess requires you to be naked on my lawn?
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
But all I could see was her. No skill of mine, no artist anywhere, could’ve immortalized how gorgeous she was. It was impossible to believe she’d ever had any doubts about her body. The firelight shone on her skin, golden and perfect, making her look like some radiant goddess of legend. I wanted to kneel before her and offer eternal obedience.
There are two goddesses in your heart,” he told them. “The Goddess of Wisdom and the Goddess of Wealth. Everyone thinks they need to get wealth first, and wisdom will come. So they concern themselves with chasing money. But they have it backwards. You have to give your heart to the Goddess of Wisdom, give her all your love and attention, and the Goddess of Wealth will become jealous, and follow you.” Ask nothing from your running, in other words, and you’ll get more than you ever imagined.
If a woman doesn't look like a Goddess during labor, then someone isn't treating her right.
Like a goddess on her azure hill, the star of my ambition, the mistress of my dream; a thing apart, that we can worship, but not touch; a wild desire, that, in the madness of the thought, soars higher in its dignity, and leaves me weeping in the dust.
Ask for what end the heavenly bodies shine,
Earth for whose use? Pride answers, 'Tis for mine
For me kind nature wakes her genial power,
Suckles each herb, and spreads out every flower.
The image of the Goddess inspires women to see ourselves as divine, our bodies as sacred, the changing phases of our lives as holy, our aggression as healthy, our anger as purifying, and our power to nurture and create, but also to limit and destroy when necessary, as the very force that sustains all life. Through the Goddess we can discover our strength, enlighten our minds, own our bodies, and celebrate our emotions. We can move beyond narrow, constricting roles and become whole.
Mary Stewart will always be my goddess. I can pick up one of her early books - one I've read a dozen times - and still slide right into the story.
It seems kosher and OK to treat women as objects because the business of cinema is about images and when you have fragmented images of a woman's bosom and her swiveling hip and her twisting navel, it robs the woman of all autonomy and subjects her to the male gaze.
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