A Quote by Alison Gopnik
If you wanted to design a robot that could learn as well as it possibly could, you might end up with something that looked a lot like a 3-year-old.
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I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
The person who designed a robot that could act and think as well as your four-year-old would deserve a Nobel Prize. But there is no public recognition for bringing up several truly human beings.
Walking is a skill that took millions of years for us to develop... If you wanted to design a robot that could walk as well as a person, this would be fantastically complicated software. It would have to be doing billions of calculations with every step.
Something clicked, and I was like, 'I gotta be prepared. This could end at any time.' That was my second year in the league. From that point on I started doing broadcasting and things like that in an attempt to find my passion - something I could do after football.
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
When we looked out at the world and saw what 3D scanners could do, we wanted to make something that could make really high quality models that you could create on your MakerBot.
The design of the Mac wasn't what it looked like, although that was part of it. Primarily, it was how it worked. To design something really well, you have to get it. You have to really grok what it's all about. It takes a passionate commitment to really thoroughly understand something, chew it up, not just quickly swallow it.
I think $100 at the end of the year doesn't mean a lot to me, but $100 from everyone in the state at the end of the year could mean lots of programs that could be good for Hawaii.
I wasn't afraid of failing. A lot of people fear failure, and I think that holds a lot of people back. But a lot of times, it's possibly the best thing that could happen to you because you learn how to get back up, you learn how to do it better and you're stronger from that.
There was a time, with the Berlin Wall down, that [it looked as if] the UN finally could do what it was set up to do, the rivalry between the two camps would dissipate, and we could all co-operate. And then, of course, Iraq came and blew it all apart. These upheavals will always take place in the world, and the design and construct of the UN ideally should be such that it can deal with these upheavals, and possibly influence them, and survive and thrive, but it doesn't work out that way, because as an organisation we are so dependent on the same member states.
I thought maybe I could become like the next Van Gogh. I bought a sunflower and painted it, and it looked like the work of a 6-year-old.
Jack Geisinger. He passed, but we were friends up until the end. We took a dress design and apparel class, and I realized that I didn't like it, mostly because I couldn't sew very well. I then change over to textile design, where I could draw and paint. It was perfect for me. I got to the height of my career as a textile designer. I was working with people like Donna Karan, Jean Muir, and Scott Barrie.
Daisy looked up at him with the kind of expression that Jesus might have given someone who had just explained that he was probably allergic to bread and fishes, so could He possibly do him a quick chicken salad.
In football, there were drinks available everywhere you looked. On a golf tournament, you could find one free anywhere you wanted it. In tennis and NBA basketball, everybody had a hospitality suite, and so you could go there and load up if you wanted to.
We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, 'Oh well, she works.'
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