A Quote by Alison Hawthorne Deming

It's extremely important that, as writers, we give a voice to those who don't have voices, including the other animals that we share the planet with and the places that are endangered or being lost.
Animals are, like us, endangered species on an endangered planet, and we are the ones who are endangering them, it, and ourselves. They are innocent sufferers in a hell of our making.
Have compassion towards each other, including animals. Love and respect every living being on this planet - a key factor to a greater society.
Those who consume animals not only harm those animals and endanger themselves, but they also threaten the well-being of other humans who currently or will later inhabit the planet. ... It is time for humans to remove their heads from the sand and recognize the risk to themselves that can arise from their maltreatment of other species.
As a human being on Earth, you can't imagine friendship not being important in some other solar system or some other planet, or some other context of beings that are conscious. We even see it in animals. It is important for people on Earth to reach out or reach into someone.
I think I will always have a connection to young people, to try to bring their voices to the polls, bring their voices wherever they can make a difference. Even to protect their own interests or the interests of the planet or the animals or other individuals, which is critical. I try to keep it.
How we sit within the body is an extremely important part of the spiritual journey. The body itself is used either by the spirit within us, or by the fear-based mind. When it is used by the spirit, then it is a thing of holiness. How we dwell within it, how we treat it, and how we use it in relationship to other aspects of the planet is extremely important. When we use the body without reverence, we are destructive elements on the planet. We become destructive to ourselves, to other life forms, and to the earth.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
Before I lost my voice, it was slurred, so only those close to me could understand, but with the computer voice, I found I could give popular lectures. I enjoy communicating science. It is important that the public understands basic science, if they are not to leave vital decisions to others.
I always encourage other people to share a story and voices. That is so important.
The beliefs I was raised with - to respect animals and to be aware of nature, to understand that we share this planet with other creatures - have had a huge impact on me.
As I listened, it occurred to me that interest in and affection for the animals that share the planet with us may be a more unifying force than any other.
The most important thing for aspiring writers is for them to give themselves permission to be brave on the page, to write in the presence of fear, to go to those places that you think you can’t write - really that’s exactly what you need to write.
The raising of animals for food and all that it entails is the single most destructive force impacting our planet's fragile ecosystems. Our planet simply cannot sustain the greed of billions of human beings who are eating other animals.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.
Insecurities and missteps can plague writers and artists who come from rural places. We worry that our provincial life experiences won't gain the approval of urban curators, so we assimilate ourselves to other, more sophisticated voices.
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