A Quote by Alison Jackson

Photography acts as a teaser, suggesting we can know something that we can never know. And the more we can't obtain it, the more we want it. — © Alison Jackson
Photography acts as a teaser, suggesting we can know something that we can never know. And the more we can't obtain it, the more we want it.
That's something I never want to do: I never want to think I know it all, because I don't. There's always more people with more advice, and I just want to soak all that up and make my sporting toolbox as full as I can get it.
When people know what you want, they can then manipulate that to achieve the end that they seek. It's far more interesting and valuable to bear witness to a scene and make good relationships without explicitly seeking something. You're more likely to obtain a far richer and honest experience that way.
We tend to always want to obtain something new and something more, and we never really enjoy what we have.
'Free' is more of that 'familiarity breeds contempt' kind of thing. It's about saying 'Wait, I'm longing for something more than I have and I don't know what it is that I want, but I know I want it.' It has nothing to do with what I'm going through, personally.
Free' is more of that 'familiarity breeds contempt' kind of thing. It's about saying 'Wait, I'm longing for something more than I have and I don't know what it is that I want, but I know I want it.' It has nothing to do with what I'm going through, personally.
Until you have a son of your own . . . you will never know the joy, the love beyond feeling that resonates in the heart of a father as he looks upon his son. You will never know the sense of honor that makes a man want to be more than he is and to pass something good and hopeful into the hands of his son. And you will never know the heartbreak of the fathers who are haunted by the personal demons that keep them from being the men they want their sons to be.
I know my limitations. I know I'm not perfect. I know what I know, but more importantly, I know what I don't know. When I don't know something, I surround myself with people I can trust to teach me.
I've been around baseball for a really long time. I didn't know I could want to be here any more than I do, have any more love or passion for this. But being away, even for just a week, that was the worst. I didn't know what was going on. I never want to do that again.
I guess something that I've noticed from American acts who had success in touring is more of an explanation as to their music. Which is I think quite funny. I think British acts might like to leave more to the imagination - maybe a bit more obscure perhaps - a bit more shy.
We've got so much in this life that all we know how to do is want more. So we concentrate on the wrong things-things we can see-as being the measure of a person. We think if we win something big or buy something snazzy it'll make us more than we are. Our hearts know that's not true, but the eyes are powerful.
I'm not suggesting at all that we take away all of the characters' vices. I am suggesting that this particular vice is so insidious, so nefarious, and so deadly that simply by glamorizing it or poisoning our young adults, and I think it's a very separate category, but in no way am I suggesting that we move on from banning smoking in movies to banning drinking, you know, or whatever else we want to do.
When you go to a movie with so many stars [like The Expendables 3], you don't know what you're going to find, exactly. You don't know if it's going to be an ego trip, ego on the set, who is taking this position, where the camera is, I want to be in front of this guy - that's true... It's worse, actually, when you have people around you that are very hungry to obtain something that they never had. Success.
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
I know some things--I know that I'm not alone, that I have friends, that I'm in love. I know that I don't want to die, and for me that's something--more than I could have said a few weeks ago.
I think photography has a huge potential to expand a circle of knowledge. There's a reality that we are all the more linked globally and we have to know about each other. Photography gives us that opportunity.
The photograph doesn't claim to be a participant, or to know, or to be a club member of whatever it's documenting - photography is more demanding when it doesn't pretend to know.
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