A Quote by Alison Krauss
Some things feel really good to sing: there's a physical aspect, but there's more to it - a deeper place you go to.
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When we all sing in unison - sing in harmony - things come to us on levels that are much deeper than can be seen by the naked eye. Much deeper than even our subconscious. Things are happening.
You have to go really dark and deep with yourself and get your hands dirty and go into territories that you don't want to go into and feel things that you don't want to feel, but that's what ultimately pushes out the good and gives you some kind of a message that you can take and channel into something better. That energy's really powerful.
People think that if you are enlightened you are not in touch with the pulse of the physical. Au contraire! The higher you go, the deeper you become, and the more conscious you are of the physical and the sensorial.
Some shows feel very reverent - when you're in a seated theater, no one really sings. I love it when people sing! I wish people would sing all the time. Because one of my favorite things when I get to do as a musician is step away from the microphone and listen to everyone sing together.
I remember [Patrick J. Adams] being in a particularly disillusioned place and really wanting your ambitions to be met with opportunity and not feeling like they were. It's all the more reason that I feel grateful to be able to stay connected and be in each other's lives. Obviously now you're in a very different place, and it's really nice to be able to look back on that and be reminded of how far we've come, at least in the opportunity aspect. The mental state aspect of it is a different story, I'm sure, but I always knew you would work.
I think I would really lay down and die. Music comes from a very primal, twisted place. When a person sings, their body, their mouth, their eyes, their words, their voice says all these unspeakable things that you really can't explain but that mean something anyway. People are completely transformed when they sing; people look like that when they sing or when they make love. But it's a weird thing—at the end of the night I feel strange, because I feel I've told everybody all my secrets.
From the physical aspect of things, I really enjoy Tai Chi.
You go in and record and sing them some and you go back in and rerecord and sing them some more. That's kind of how I did this album [The Art of Elegance].
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
It's really important that you feel good. Because this feeling good is what goes out as a signal into the universe and starts to attract more of itself to you. So the more you can feel good, the more you will attract the things that help you feel good and that will keep bringing you up higher and higher.
Music was my first love, but it was difficult for me. It's something that I really love, but I didn't feel that I was so good at it. I can sing well, but I'm not a great singer. When I sing, I don't feel I'm expressing all the emotions.
As I've grown as a creator, I feel that I want to tread in deeper waters and have a lot more going on emotionally with the characters. That's my appreciation for comics as a creator and a consumer as well. I'm more into stories that don't just bounce off the surface but go a little bit deeper.
It is good for God's people to be put in a place of longing so they feel a slight desperation. Only then can we be empty enough and open enough to discover the holiness we were made for. When we are stuffed full of other things and never allow ourselves to be in a place of longing, we don't recognize the deeper spiritual battle going on.
The fact that Edward Snowden didn't approach the New York Times hurt a lot. It meant two things. Morally, it meant that somebody with a big story to tell didn't think we were the place to go, and that's painful. And then it also meant that we got beaten on what was arguably the biggest national security story in many, many years. Not only beaten by the Guardian, because he went to the Guardian, but beaten by the Post, because he went to a writer from the Post. We tried to catch up and did some really good stories that I feel good about. But it was really, really, really painful.
I feel it is important not to get overly obsessed and overly carried away with just the physical aspect. There is more to beauty than just the physical appearance. You are also a complete person, and a woman should have an identity beyond just the way she looks.
I really hope that there are more young men coming to terms with the fact that they feel things and it's OK to feel things and to talk about how they feel about things. That's not weak. It's brave and strong and good.
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