A Quote by Alison Krauss
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
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People in New York just go about their business. Maybe living there for a long time, it would get lonely, but there's something really nice about being able to go about your business and not feel like anybody is really paying attention to you or what you're doing.
What I would say to young women is: Pay attention to the real. Pay attention to what you're really thirsting for. What do you really want? And I think that's much harder to decipher in a culture that has no interest in it. What interests me is, are we going to wake in time? Are human beings going to wake up to ourselves, to the incredible poverty that's on this planet, to what we're doing to the earth, to what we're doing to women, to what we're doing to boys? That's what's important.
The most important thing regardless of my stats or anybody else's stats is the win-loss record. In the locker room people are always telling me, you're doing this and that. I don't really pay that much attention so long as we have a 'W' in that column; that's the kind of thing that makes me really happy. It blows all stats out of the water.
I don't really control the story. I just let it go where it wants to go. I have no idea what's going to happen in the end or who's going to live, so it's kind of like me saying, "I don't know, guys! Just wait." That's what I'm doing!
My hats off to anybody filming action, because you get beat up. If I'm going to get the crap kicked out of me, I would love 15,000 people on hand to tell me that I'm doing good or I'm doing bad. So, if I'm going to be in any physical duress, I'd really like it to be in a WWE ring, which is why I was so amped to be a part of 'Trainwreck.'
I'll be honest with you, one of the things that frustrated me the most out the record leak thing, it had nothing to do with record sales - I mean, that's a joke. Has anybody looked at how many records anybody sells anymore? If you're not Jay-Z, a record leaking isn't going to affect you. It was just really personal.
When I put out a record I don't really like to do covers as much, but I don't mind playing them. I do them mostly for my friends. When a friend's like, 'Man I really like that song,' I go 'hahaha' and I go home and I record it.
It makes you feel really comfortable when someone is like, I'm not going to touch what you're doing. Do what you do and I'll put it out, but as opposed to sticking it out in Dublin and in one shop in London, it's going to go all over the world and you'll have the backing of a PR team and whatever else you need. It was like, cool, that sounds like the right move.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
I never want to be that guy spouting off my political views. I mean, they're pretty well known, and it certainly comes out. If something's bugging my ass on any particular day, I'm probably going to say something about it, but I'm not going to go on a tirade. I dislike George Bush as much as probably anybody on earth could, but having said that...I've said it, you know? It's not like I'm going to change anybody's mind.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
I'm never doing a new album. I'll probably do nothing but singles. I'm as good as anybody out there lyrically and conceptually and can go toe to toe with the best of them throughout history. But I don't know how much longer I'll be doing it. It's not really fun anymore.
I don't really do that much office work. I just go to the office, and I'm like Steve Carell in 'The Office.' You know, like, I just go around and like - I don't know what I do in the office. I look at paperwork and act like I'm understanding what's going on there, and I shake my head and put my hand on my chin and like, 'Hmm.'
For a couple of years, being professional, I kind of questioned myself. Should I wear my false lashes or take the time I want to take so I can feel good when I go out on the field? Because nobody else was really doing that. And I thought, No: I'm not going to change what I believe I should look like to fit anybody else's standards.
I just kind of muddled through in my 20s. I did whatever I got offered, to be honest, to pay the bills. I didn't really know what I was doing. There are some actors in their 20s who are very sure. I wasn't very sure what I was doing. I feel like I've only really just got going.
Sometimes it's easier to make decisions when you know that you've tried things that are so wrong, you know, "OK, I don't go that way with it. I don't go this way with it." The way I work, I kind of have to go down all those wrong paths to know that the one I'm doing really is the one that is going to work.
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