A Quote by Alison Krauss
Growing up, we had folk records.
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My dad worked all sorts of jobs when I was growing up and finally ended up as a surveyor; my mum delivers meals to old folk around where we live. We didn't have much money when I was growing up, but I had a very happy childhood.
My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.
Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.
I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.
When I was growing up, albums were my closest friends, as sad as that may sound - Joy Division's 'Closer,' or Echo and the Bunnymen's 'Heaven Up Here'... I had a more intimate relationship with those records than I did with most of the people in my life.
I do love the Nat King Cole stuff, the classic Christmas records. There's something about putting those records on and hearing his voice at Christmastime that brings back a lot of great memories of growing up.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
Yes; my brother Bobby used to distribute records at King Records. I had a job there, too, packing records up and shipping them off. But I always wanted to play sessions at Stax, so I figured out a way to do it.
My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
Growing up in Hitchin was comfortable and easy enough. My parents had some great records - and some not-so-great ones - and that's where I got introduced to Motown and the Stones and Springsteen.
My mom had early rap records, like Jimmy Spicer. In the middle of the records was a turntable and a receiver - I used to scratch records on it - and on top was a reel-to-reel. In front of that wall were more stacks of records. It was either Mom's record or Pop's record, and they had their names on each and every one.
Mark Ronson was a dear friend through family and through growing up in New York, being in that scene, and Mark came to a show and really liked it and asked us to join his record label Allido records, or 'all I do' records, and that was sort of a development deal.
My wife is a doctor, and we had a decent life financially. My kids were going to nice schools and had nannies. We weren't rich, but we were better off than I was growing up. And I looked around, and I was like, 'Who are these people?' It was the opposite of what I remembered growing up.
I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.
My musical influences growing up were limited to Korean folk songs and hymns as I went to a Christian boarding school where I was not allowed to listen to secular music.
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