A Quote by Alison Lurie

Real literature, like travel, is always a surprise. — © Alison Lurie
Real literature, like travel, is always a surprise.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people
I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.
You can travel through literature, and you can expand your mind through literature. It's so cheap to buy that kind of ticket.
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
There has been a real influence on young people, whose travel is experiential. For them, their values change when their experiences change; travel is like a university without walls.
I've never had a surprise birthday party. I've had every other type of surprise. I've had surprise beatings, surprise drug tests, surprise daughter I think.
I make music and hope people enjoy it - but when they do it's always a surprise. A nice surprise, but not one that I expect to always be there.
We do literature a real disservice if we reduce it to knowledge or to use, to a problem to be solved. If literature solves problems, it does so by its own inexhaustibility, and by its ultimate refusal to be applied or used, even for moral good. This refusal, indeed, is literature's most moral act. At a time when meanings are manifold, disparate, and always changing, the rich possibility of interpretation--the happy resistance of the text to ever be fully known and mastered--is one of the most exhilarating products of human culture.
Wanderlust is not a passion for travel exactly, it’s something more animal and more fickle- more like lust. We don’t lust after very many things in life. We don’t need words like ‘worklust’ or ‘homemakinglust.’ But travel? The essayist Anatole Broyard put it perfectly: ‘Travel is like adultery: one is always tempted to be unfaithful to one’s own country. To have imagination is inevitably to be dissatisfied with where you live… in our wanderlust, we are lovers looking for consummation.’
I don't accept the idea that literature can be just entertainment and that there is no consequences of literature in the real world.
"Glorious, stirring sight!" murmured Toad. . . . "The poetry of motion! The real way to travel! The only way to travel! Here today - in next week tomorrow! Villages skipped, towns and cities jumped- always somebody else's horizons! O bliss! O poop-poop! O my! O my!"
I am a control freak, but not when I travel. For some reason when I travel, I am able to surrender more than in my real life. I am able to let go. I think it's why I like it so much.
The biggest surprise was that a country like Angola, that has so much money, that produces so much oil, would be in such a mess and so difficult to travel in. Something is almost cursed in striking oil. It's like the lottery winner who ends up broke.
If I have to travel, I'm going to travel my way and travel in the real world. And I'm going to have conversations every day with people in rest stops and people in gas stations and people in hotels and diners. That nourishes me.
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