A Quote by Alison Mosshart

Lollapalooza, that was one of my worst shows. We just played at, like, 3 in the afternoon; it was like the hottest, most miserable thing. My shoes were melting. I just thought I was going to die. It was the most horrible experience. I lasted, what, four songs? In front of quite a lot of people. That was one of my least favorites.
I played shows in front of like 25, 50 people, and it's a lot harder to do your thing in front of a crowd that's small.
We used to go and play shows in the south in front of two people and now every show we did was just great. The warm-ups, most of those weren't even advertised and most of them were sold out. I don't know what's going on, it's just so much different than it used to be.
Full live performances are always my favorites, and I think a lot of people's favorites too, just because you can feel the energy off the crowd and there's so much more interaction, and just everything overall is just like very hype.
I don't have like whatever, so I'm just like, "Oh man, I'm just going to try to stay out of most people's way and get a taco and enjoy myself as much as I can," because it's such a beautiful town. Beautiful weather. I called my dad that day to tell him what was going on with my passport and he was like, "Yeah it snowed four inches today. It's ten degrees outside." I'm just like, "Cool. I'm glad I'm in Austin, no matter what."
You know, songs like 'Rock'n Me' were actually written to be played in large... for a hundred thousand people kind of gatherings. And a lot of what came out on 'Fly Like an Eagle' and 'Book of Dreams' was music that was put together to be played in big, big venues with big light shows.
The first time I ever saw platform shoes in the '70s, I knew they'd been revived from the '40s, and I felt sickened. And for whatever reason, they keep getting revived. They've come back four times. I wish we could let them die. They want to die. They were horrible then, they're horrible now.
Working with Adrien Brody was like going to Julliard, but instead of four years, I went for four weeks. He was like the Albert Einstein of professors, it was just the best experience of my life. Adrien was the most influential mentor in my acting career thus far, and even after the movie he continues to mentor me.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.
When you're in a band, you spend most of your time in a van. Like, there were four of us, we toured all the time, and you're stuck looking at three other people for a month straight. And all of those times, we all just liked making fun of people, doing impressions of people, coming up with songs.
Christianity, like genius, is one of the hardest concepts to forgive. We hear what we want to hear and accept what we want to accept, for the most part, simply because there is nothing more offensive than feeling like you have to re-evaluate your own train of thought and purpose in life. You have to die to an extent in your hunger for faith, for wisdom, and quite frankly, most people aren't ready to die.
I went to network on a handful of pilots, and going to network is the most stressful situation anybody can ever be in. You're supposed to be on point, you're supposed to be at the top of your game, the funniest you can be, in about five minutes, in front of people wearing suits who really don't care, and they've probably already picked their person, but they have to see a handful just to satisfy the process. It's the most horrible, horrible process known to man. I wouldn't want anybody to go through it.
Live shows are where I can just go off, I do the most. I can recreate songs live and take one element and build on that that for like 40 minutes and I like seeing people's faces when I'm making something live.
When we started the band, I was really like, "We just want to make a lot of records" - not quite unlike Guided By Voices' schedule. I've always thought that our live thing is what we do best, and having a really robust, big catalog makes for the most interesting live band - especially with people, at this point, traveling to see us night after night. For us to have almost 100 songs to pull from is a really cool thing. The sets can be different. They can be invigorating on an intellectual level. I definitely hope to continue to release records at an accelerated pace.
I actually did not like to run. It was probably my least favorite thing that I had to do, and then in 1999, I was diagnosed as a type 1 diabetic. It was really strange. One good thing to do for diabetes is to exercise. I don't really like gyms anymore, and I travel quite a bit, so I realized that you can just take shoes and shorts and run anywhere.
I am definitely not like the hottest young actress, the most beautiful or whatever. I have my own thing going.
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