A Quote by Alison Mosshart
Performing is one thing, and day-to-day stuff - like the way you talk to people - is totally different. If I acted like I did onstage in normal life, everyone would probably hate me.
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If I acted like I did onstage in normal life, everyone would probably hate me.
There's no way you could get me onstage with someone that I didn't like. No way. I would never do that. We have our gripes and stuff like that. All bands have their drama, but life is too short to be miserable around somebody that you don't like.
I like when people do cool stuff that might be a little off-the-wall to anybody else, but they found a way to make it work for that day. I wouldn't recommend that people wear it every day like that, but if you every once in a while just spice it up, I like that. I dare to be different.
The more we as a society make women's sex lives seem like a secret, the more hostile that becomes. Because when you get into that cycle of thinking, no matter what you're doing, you feel shameful about it, because there's no way to talk about it. I think that through talking about it and sharing stories you realize the things you may have felt shameful about are totally normal and totally OK. Everyone's normal in their own way. You can only come to that realization if you're having these conversations, and learning what normal is for other people.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
I got through with my ability to mimic others and make people laugh. I swaggered through life, but, in reality, I lived in fear pretty much every day. I acted like a completely normal person, and I suppose I was good at it. But, inside, it was a very different story.
Normal adult shopping is something I will never actually do, because it's no more possible for me to go shopping like normal adults do than it is for a man with no legs to wake up one day and walk. I can't miss shopping like you'd miss things you once had. I miss it in a different way. I miss it like you would miss a train.
People say this all the time and everyone, like, nods their head and is like, 'Oh yeah, totally,' but no one ever does it, including myself. I can do better at it, is just drinking a lot of water, like a gallon and a half, two gallons a day, like, straight water all day.
I never really sought out the captaincy at any stage in my career. Now that it has been handed to me, I would obviously like to do it justice and keep performing well. The day I stop performing will be the day I happily relinquish the role.
I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.
I was viewed as a little bit of an outcast. I didn't have one group of friends who I hung out with every single day. I would have friends on my football team, friends in drama, friends in video production, and I would hand out with different people. I know that wasn't the normal thing to do in high school. The normal thing is to be ina group or be part of a clique. But for me, I love hanging out with different people and just having fun.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
Onstage I do all the stuff I'd never do in real life, like lashing out at people who make me mad or freaking out in a long bank lineup. Performing allows me to fulfill all the sicko fantasies I've ever had.
What I like about Elvis is the same thing I like about James Brown, Michael Jackson, Prince. These guys, back in the day, there was no smoke and mirrors. It was just raw talent. They would step out onstage and command an audience. Talk about awesome.
Instead of being insecure and jealous and suspicious and wonder if every guy is going to cheat on me, I decided to say, "Nope. This will be totally enough for somebody one day." That was a real script flip and it changed the rest of my life in such a positive way. So I feel like I want to teach stuff like that to my girls.
I've been covering the art industry for nine years, and I still don't feel like I have a clear grasp on what an art consultant does. What's the difference between a dealer and an art consultant? Who are they? What's their day to day like? So I asked a few private dealers, consultants and curators to talk about what they do. Everyone told me a different story.
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