A Quote by Alison Moyet
If you think about it, I was at college, and then three months later, I was a massive pop star. It's stress-making, especially when you're a bit of an oddball as I was, the black sheep left to your own devices, and then suddenly everyone's interested in you.
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Within three months I had gone from being this black sheep of the town to suddenly becoming a pop star.
I feel like I'm a designer, not a pop star. But if certain people think of me like a pop star, then the only thing I could do about this is dye my hair black and cut it short maybe.
I think everyone should go to college and get a degree and then spend six months as a bartender and six months as a cabdriver. Then they would really be educated.
Then everyone leaves, and you are left, each night, to your own devices with a crowd of interesting people - most of whom you don't know - sitting in the dark.
When I was sent the script for 'Homeland,' I didn't think anything of it. Three months later, my manager rang and said: 'They are interested in you.' I read it and I realised, 'Yes, I do want this.' Then I got an email saying I'd got it.
I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
For a second we just stand there in silence. Then, suddenly, Alex is back, easy and smiling again. “I left a note for you one time. In the Governor’s fist, you know?” I left a note for you one time. It’s impossible, too crazy to think about, and I hear myself repeating, “You left a note for me?” “I’m pretty sure it said something stupid. Just hi, and a smiley face, and my name. But then you stopped coming.” He shrugs. “It’s probably still there. The note, I mean. Probably just a bit of paper pulp by now.
'Night of the Living Dead,' then 'Dawn of the Dead' is a few weeks later, 'Day of the Dead' months later, and 'Land of the Dead' is three years later. Each one spoke about a different decade and was stylistically different.
I played a lot of moms. You're always too young when you're playing moms. My first kid when I started playing moms was about six months old. And then a month later I was doing another commercial audition and my kid was two, and then about eight months later my kid was 11.
Your heart weeps a little bit when you have to say goodbye to a crew you spend two months with, but when it comes to the part, when you live so close to someone for two months, it kind of fades away and then you see her again on screen later on.
I used to go to clubs and sing as myself but people weren't interested. And then I turned up as a woman and suddenly everyone was interested.
I'm still exploring. As I look back, Nénette Et Boni had a massive effect on the album we made after it, Curtains. I think it's been like that all the way through. Trouble Every Day had a massive effect on Can Our Love... I think it's allowed us to raise our heads, take a bit of a left turn, explore different avenues, and then come back to our own thing and see it in a different way.
I can't think of another actor who acquired stardom so quickly, who held it for such a short time, and then kept it for such a long time. James Dean became a star in one calendar year, and then he left us. But he's still being talked about, he's still being revered, he's still being iconized forty years later. I don't think there's another example like it in the entire history of movies.
My father left us three times when I was between three and six. You just couldn't tell - suddenly one day he would leave and then maybe he would come back after six months without telling you why. And then maybe he would disappear again after a year and it's very difficult to take when you are four or five. You just don't know how to handle it and nobody in the family wants to talk about it. My mother didn't know how to tell us and she needed to work because we needed money to live.
After your heart fails, you just feel really vulnerable for a while. You just want telly and your little house. Then, suddenly, three, four months have passed.
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