A Quote by Alison Moyet
I went through a string of A&R men who all thought I should be doing something different. One thought I should be a dance diva; another thought I should do Rock n' Roll; and one thought I shouldn't even be singing at all!
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I absolutely never thought I would! But it's something to look forward to in my career. I'm not just the young, leading guy who falls in love, simple and naive. Even just doing Enjolras recently in Les Mis. I used to cover Marius and thought: "Oh, that's simple. What I should be doing." But then when I got Enjolras, I hadn't even thought about it. He's more powerful, sure of himself, a leader. It was nice! It was much harder singing, passionate, declamatory. Which was awesome - and now this!
I could have forgiven it if he'd fallen desperately in love with someone and gone off with her. I should have thought that natural. I shouldn't really have blamed him. I should have thought he was led away. Men are so weak, and women are so unscrupulous.
I read a comment that made me think I should stop singing for a while. And I didn't want to stop singing, because it was the only thing I loved. At first I thought, "Maybe I'll get better and eventually please the person who wrote about my singing." But then I thought, "I probably will never please this person. I should just do what pleases me."
In what is seen, there should be just the seen; In what is heard, there should be just the heard; In what is sensed, there should be just the sensed; In what is thought, there should be just the thought. He should not kill a living being, nor cause it to be killed, nor should he incite another to kill. Do not injure any being, either strong or weak in the world.
Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.
The aim of the book is to set a limit to thought, or rather - not to thought, but to the expression of thoughts: for in order to be able to set a limit to thought, we should have to find both sides of the limit thinkable (i.e. we should have to be able to think what cannot be thought). It will therefore only be in language that the limit can be set, and what lies on the other side of the limit will simply be nonsense.
I thought I needed to go to one of the top five schools in the nation and never even thought 'What's important to me?' Instead of figuring out what was important, which was obviously being near home, I kind of just went with what everyone thought I should do.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
I was doing a bit that stupid people should be slapped. But the more I did it, the more I didn't like that connotation, the violence and all that. The more I thought about it, I thought they should just wear signs. And, man, it just took off.
I had written a tune called 'Shake, Rattle and Roll,' but the white stations refused to play it - they thought it was low-class black music. We thought what we needed was a new name. But a white disc jockey named Alan Freed laid on it, and he thought up the name 'rock n' roll.'
'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.
I would like to tell all dancers to forget themselves and the desire for self display. They must become completely absorbed in the dance. Even in a classical variation there should never be any thought of a dancer doing a variation--he should become identified with it.
Nobody sang better than my mom. That's why I've never even thought of singing for singing sake. I've always thought of a song as an acting piece, as a way to say something.
After launching the first version of Facebook for a few thousand users, we would discuss how this should be built for the world. It wasn't even a thought that maybe it could be us. We always thought it would be someone else doing it.
Who thought it would be a good idea to undermine art in the school curriculum? Who thought studying the history of our visual culture was a waste of time? Who thought that only private schools should have that privilege? Was it someone who said we don't need experts?
We should read other people's books in order to learn what we feel; it is our own thoughts we should be developing, even if it is another writer's thought that help us to do so.
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