A Quote by Alison Moyet
I wanted to act when I was young. When I was 12, I asked the head of English at my school, 'Can I audition?' and he said, 'What would we want you for?' And I remember going, 'Oh yeah. Why would they want me?'
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If you had asked me back in grade school what I wanted to be when I grew up, I would have said my first choice was an actor, but if I couldn't be that, I'd want to be a superhero.
My agent wanted me to audition for Dumbledore's character after Richard Harris died. I was asked if I would like to audition for it. But I wouldn't audition for it.
I was on my way to law school when a friend of mine at an extras agency said, 'Do you want to come to this movie set and get paid $100 bucks a day to pretend you're at a party?' And I was like, 'Yeah, summer holiday, let's do it.' So I went, and on lunch, the writer asked me to audition for a role, and I got it.
I didn't really want to act. Gerard Depardieu discovered me when I was 14 and asked if I wanted to make movies and I said, 'Why not?'
I didn't really want to act. Gerard Depardieu discovered me when I was 14 and asked if I wanted to make movies and I said, 'Why not?
I changed my major to English literature, which was on the advice of my father. I finally said, "You know, Dad, to heck with it: I'm just going to be an actor. But I'm going to go to school." And he said, "Well, if you're going to go to school, then major in English literature. Those are the tools you are going to be working with as a man who's going to be acting in English, one would assume."
Oh, yeah! Playing 'Young Jackie' came at the insistence of Roseanne herself. Mom obliged but told me that would not be an option again until I was 18. Truthfully, I grew up not thinking I would act.
I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.
When I was 15 or 16 and I started climbing up the ladder of success in amateur boxing, a reporter asked me, "What do you want to be?" I think he was expecting me to say, "A champion." I said, "I want to be special." I don't know why I said that, but I didn't just want to be a fighter. I wanted to have an impact with people, particularly kids.
[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.
I didn't know shorthand either. This meant I couldn't get a good job after college. My mother kept telling me nobody wanted a plain English major. But an English major who knew shorthand would be something else again. Everybody would want her. She would be in demand among all the up-and-coming young men and she would transcribe letter after thrilling letter. The trouble was, I hated the idea of serving men in any way. I wanted to dictate my own thrilling letters.
In high school, I tried out for every sport there was. But none of them would have me. When I was a freshman, someone asked me to go audition for a play with them. I got in and didn't want to do anything else for the next four years.
"Look," I said, "We knew Jason and Becky would be back, the break would end. This isn't a surprise, it's what's supposed to happen. It's what we wanted. Right?" "Is it?" he asked. "Is it what you want?" Whether he intended it to be or not, this was the final question, the last Truth. If I said what I really thought, I was opening myself up for a hurt bigger than I could even imagine. I didn't have it in me. We changed and altered so many rules, but it was this one, the only one when we'd started, that I would break. "Yes," I said.
I learned early that crying out in protest could accomplish things. My older brothers and sister had started to school when, sometimes, they would come in and ask for a buttered biscuit or something and my mother, impatiently, would tell them no. But I would cry out and make a fuss until I got what I wanted. I remember well how my mother asked me why I couldn't be a nice boy like Wilfred; but I would think to myself that Wilfred, for being so nice and quiet, often stayed hungry. So early in life, I had learned that if you want something, you had better make some noise.
I did improv classes just like any kid would do soccer or gymnastics or swimming. At one of my showcases, my manager came to my mom and said, 'We would like to represent your daughter.' My mom asked me that night if I would like to actually act, and I said, 'Why not? I'll give it a try!'
I want to be where I'm wanted, and that's what I've said all along. When a team is willing to step up and commit to me fully for the long haul, then why would I want to be anywhere else?
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