A Quote by Alison Owen

Well, who wouldn't want to work with Tom Hanks? — © Alison Owen
Well, who wouldn't want to work with Tom Hanks?
The guy I've never worked with that is pissing me off is Tom Hanks. I want to work with Tom Hanks more than anyone.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
Hanks is a good man, and he produced the "John Adams" series as well. He does good work. But I'm more worried about a Tom Hanks when we're at war against radical Islam than I am against a caricature like Sean Penn. He's a completely marginalized soul.
When you're a kid, Kermit is Tom Hanks. He's Tom Hanks for kids or Jimmy Stewart for kids. He's truly the every man.
Tom Hanks is one of my favourite actors... I definitely want to work with him.
Truth is, we offered it to Tom Hanks, which pretty much every movie in America does, but Tom passed. Billy Bob said that Hanks recently called and said he's voting for all of us for Oscars, he loved the film.
I grew up being absolutely in love with Tom Hanks. I remember, all the kids had Brad Pitt plastered all over their textbooks, and then I had Tom Hanks plastered over mine.
Most actors that I work with are wonderful. Jodie Foster or Tom Hanks will make anything work.
To do a movie with someone like Tom Hanks that when you tell your dad, your dad knows who Tom Hanks is - it feels like you're finally giving back to your parents. It's like you've actually done something that they can recognize, and there's something in me that makes them super proud.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
Tom Hanks is a huge superstar. And people tell me he's a very nice guy, not arrogant, not an entitlement guy. But very quietly, Mr. Hanks has become a left-wing power player in Hollywood.
I speak as the journalist who, on the first day back at work for 'The Daily Telegraph' after the birth of my daughter, went to interview Tom Hanks with an epaulette of banana sick on my jacket.
There are guys I admire. Like Jimmy Stewart and - a more modern example - Tom Hanks. They managed to do it and have a really high standard for their work, but at the same time they remained incredibly classy and well-regarded personally throughout the process, which I thought was rare and kind of cool. And I'm trying. I try. I haven't thrown any TVs out the hotel window yet.
I don't really have aspirations to be Tom Hanks.
Tom Hanks comes with a lot of credibility.
I can't believe that I'm sitting in meetings with Steven Spielberg, Tom Hanks, and Annette Bening. I want to take on that responsibility to represent all the Rogers out there who don't have a seat at the table. People of colour were not at the table, and now I am there, I want to change things.
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