A Quote by Alison Pill
I think it's just different to get married for a woman than it is for a man. The amount of work to overcome certain gender roles in the partnership - just the expectation of housework, kid-work, whatever it is.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
As you work on something, whether it's a painting or a piece of music, it's going to evolve. A relationship is like that too. I don't have to think, What can I do to spice up my marriage? Because as time goes on, she changes, I change. I'm not married to the same girl I met by the pool. I love this woman more than I loved the person I married, but just in a different way.
I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.
I don't want to be married. I'm very happy with a civil partnership. If gay people want to get married, or get together, they should have a civil partnership. The word 'marriage,' I think, puts a lot of people off. You get the same equal rights that we do when we have a civil partnership. Heterosexual people get married. We can have civil partnerships.
I'm always open, and will criticize myself, too. And I just think being that honest with everybody puts you in a different space than somebody who's just shooting venom at a certain group or a certain amount of individuals.
It's always been my expectation to be the top guy, the face of the company, the one with all of that responsibility. But that should be everybody's goal. I didn't get into this to just be in the middle of the pack. If you want to do that, go work in a different line of work. This isn't the place to camouflage yourself.
I feel a certain amount of freedom just cruising to the liquor store to get water or whatever. It just feels good. It makes me feel young getting on the bike and - again, not going crazy, I do bunny-hops and I'll hit some curbs and stuff - but just feeling like a kid again.
I don't believe in being lazy, but I do think that this "big kid" thing may just be misinterpreting people who are taking advantage of all their opportunities and not tying themselves down to traditional gender roles or traditional life roles.
The fact that I'm a woman is as important to my work as a poet as the fact that Ahmad Sh?mlu was a man was important to his work as a poet. Basically, gender shouldn't be viewed as an advantage in art. If a poem or a piece of writing is good, what difference does it make whether it's by a woman or a man? And, if it's bad, why should its writer's gender make it good?
People are born in a certain place, and in a certain society. I don't mean to sound like a determinist, but to think we're entirely free to do whatever we want betrays a certain class perspective. For most people who have to work for a living, and work at jobs under conditions they may not like, it's just not simple when it comes to freedom.
We need to push for work-family practices and policies that allow individuals to customize their work lives according to their changing individual preferences and family obligations, not just their traditional gender roles.
I don't really think about my work in terms of whatever money it makes. That's just a bonus. I'm just going to do the work anyway, so whatever comes back is good with me.
I'm in a fortunate position that sometimes you just get offered roles - they're not necessarily the roles you take, but to get offered a film is amazing. I think the work you've done before that is why you get it.
When you know you have a certain amount of work to finish, you just don't allow yourself to get sick again.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
As a black woman, I've always had to work hard to earn my respect as a musician - and as a young woman, too. As a writer, in certain sessions or certain rooms people think, 'Who's kid is this? Who's this little girl?' I've had to prove myself.
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