A Quote by Alison Sudol

I felt brave when I sang and could put into lyrics what I couldn't tell anybody else. — © Alison Sudol
I felt brave when I sang and could put into lyrics what I couldn't tell anybody else.
I didn't even write the lyrics down. I got in the booth, I put down a little guitar riff and the idea I had was it was going to be really simple, I just want it to be all about the lyrics and I just literally sang the lyrics.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.
Bob Marley was one of my favourite artists. He sang politically conscious lyrics, yet he sang love songs, too.
A lot of people would write to me long stories from their lives, and I felt they were thinking of me as some sort of treasure chest to keep their secrets. I felt like sometimes they would tell me stories they wouldn't tell anybody else in the whole world. And I loved these stories.
I can be stupid in my lyrics or say whatever I want without having to worry about anybody else's feeling or anybody being embarrassed by it or anything like that.
I never felt I was better than anybody, but I always felt I could compete with anybody.
I don't see myself as the boss. I sing and write the songs, and it would feel strange if somebody else wrote the lyrics I sang.
I mean, it wasnt like I had said to myself beforehand, 'OK, I'm gonna go out there and sing 'The Star-Spangled Banner' in the weirdest way possible and cause a commotion.' I just sang it the way I felt it I sang it the only way I could.
For anybody whose family, you know, probably came from somewhere else a few generations to say, OK, but now we're going to put up the drawbridge and not let anybody else in, I don't think that's in accord with the values of America.
My father never felt the need to wrap himself in anybody's mantle. He never felt the need to pretend to be anybody else. This is their administration. This is their war. If they can't stand on their own two feet, well, they're no Ronald Reagans, that's for sure.
At first, I was using my sister Susan's lyrics, as I could not write myself, only the music. And then one day, she and I had a fight, and she threatened to take away the lyrics from all the songs that I put the lyrics to, so it was that day that I began writing my first lyric to the music.
Brave doesn't spread hate or bully the vulnerable. Brave doesn't put greed and self-interest over millions of lives. Brave doesn't cower behind lies and walls. Brave doesn't pit people against one another. That's what fear does.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
In Van Halen there were moments, like in some of the ballads, I put my heart and soul into those records. Those lyrics when I sang 'em, I gave myself goosebumps.
I concentrated on Rossini when I began, and I never really felt any competition. I sang in the best houses, and I believed I was always a first choice. I was lucky in a way - I never felt there was someone else who was getting the roles in another theatre and that we were competing.
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