A Quote by Alison Sudol

The song 'Almost Lover' is very important to me, because when I wrote it, I threw everything away. That kind of set the bar as a writer, as a singer, as a person. — © Alison Sudol
The song 'Almost Lover' is very important to me, because when I wrote it, I threw everything away. That kind of set the bar as a writer, as a singer, as a person.
For the person that wrote that, were they involved with anything last year that was as culturally significant as the Yeezus tour or that album? ... The bar was terrible, and the wedding planner didn't approve it with me. I was having issues with this wedding planner the entire time on approvals, and I get there and they threw some weird plastic bar there.
I worked at the original Coyote Ugly bar when I was a young, unpublished writer. Then later when I became a writer, I wrote an article about it for GQ. Disney read this article about this filthy, disgusting pit in the East Village [of New York City], where we used to set the bar on fire to get customers away from us, and said, "That's a great movie for kids!" They made the fantastic Coyote Ugly movie, now legendary.
I always wrote everything - I wrote all the lyrics, I wrote all the melodies, everything; it's just somebody else sung it. And to me, the singer is nothing else than a different... like a bass player or a keyboard player - they're not more important than any other musician.
It's very important to me that every person takes away their own meaning from a song, and it's why I don't always love spelling out what a song is about for somebody.
My parents always threw everything out, gave everything away. I'm surprised they never threw me away. That's why I've always kept my children's things. My parents had no feelings for belongings.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
LATE will always be the most important song to me. I used to struggle to perform it live without getting upset but have performed it a lot now, which has really helped. Very often it makes people in the audience cry, and that means so much to me that they can relate to the emotions in the song. It was actually a really easy song to write, I wrote most of it in one day... it sort of flowed out of me. I was never good with dealing with emotion, so I think I kind of needed to write it!
What is so important is that you play for the artist and for the record and for the song ... everything else falls into place ... my solo has to be a complement to the singer and the song.
I actually got thrown into my Bar Mitzvah because my teacher, my Cantor, did not tell me that they would all say 'amen' at the end of each, for want of a better word, paragraph. And that threw me completely. I almost went into an Ella Fitzgerald sort of scat.
I'm a singer, song-writer, actor, actress, athlete. Girl, I'm everything.
And he was going to give me a song, because I'm a singer and I wanted to sing in everything.
It takes me a lot of time, and it's almost frustrating for the guys sometimes because they're waiting for a new song. And I - it's just so important for me to get the perfect, exact, right song.
Is it a man walking on the beach, winking at the girls and looking for going to bed? Is it someone who wears a lot of gold chains and rings and sits at the bar? Because this is not me! I am very, very Latin, but not so much lover.
Do not weep, maiden, for war is kind.Because your lover threw wild hands toward the skyAnd the affrighted steed ran on alone,Do not weep.War is kind.
What I wrote all the time when I was a kid - I don't want to call it 'poetry,' because it wasn't poetry. I was not that kind of a writer. I was a rhymer. I was a fan of Dorothy Parker's, so maybe I wrote poetry to that extent, but my main focus was the humor of it, and word construction, and the slant. Your words, it's a very powerful experience.
Today's folk song is rock and roll. Although it happened to emanate from America, that's not really important in the end because we wrote our own music and that changed everything.
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