A Quote by Alison Tyler

Editing is such a voyeuristic treat for me. I land on a theme and ask authors to pen works that fit the topic. — © Alison Tyler
Editing is such a voyeuristic treat for me. I land on a theme and ask authors to pen works that fit the topic.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
During freedom struggle, It were authors and artists who made the Nation stand with their pen, and now their pen can create an environment of renaissance when Independent India is on the path of Good Governance.
When people ask me for an autograph I usually ask for a pen and then stab them with it.
It's interesting, editing can be so immersive for me that I've noticed that the authors I edit have a pretty profound effect on how I hear language for a while.
I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs.
You must stop editing--or you'll never finish anything. Begin with a time-management decision that indicates when the editing is to be finished: the deadline from which you construct your revisionary agenda. Ask yourself, 'How much editing time is this project worth?' Then allow yourself that time. If it's a 1,000-word newspaper article, it's worth editing for an hour or two. Allow yourself no more. Do all the editing you want, but decide that the article will go out at the end of the allotted time, in the form it then possesses.
In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, 'How does our society develop? What are the problems in our society? Where is our direction leading?'
Black folk who don't realize I'm mixed will treat me like I'm some racist person, or when white people find out I'm black, they treat me with racism, and I don't feel like I belong or fit in anywhere.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
I write in pen because it works. A fountain pen is no good for writing in the way I do because I'd have to decide, each time I stopped, how long I was likely to stop for in order to know whether or not to put the cap on. But I never know. So instead, I use a ballpoint - a Montblanc, to be precise - the most comfortably balanced pen I've ever found.
Oh, give me land, lots of land under starry skies above. Don't fence me in. Let me ride through the wide open country that I love Don't fence me in Let me be by myself in the evenin' breeze And listen to the murmur of the cottonwood trees Send me off forever but I ask you please Don't fence me in
Living authors, therefore, are usually, bad companions. If they have not gained character, they seek to do so by methods often ridiculous, always disgusting; and if they have established a character, they are silent for fear of losing by their tongue what they have acquired by their pen--for many authors converse much more foolishly than Goldsmith, who have never written half so well.
When there's an accident, we all have to slow down and watch the accident. We all have to be a little voyeuristic. I mean, look at the world we live in now, with all these 'Big Brother' shows. We're all a bunch of voyeuristic people.
In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
I have a saying - 'You treat me good, I'll treat you better. You treat me bad, I'll treat you worse. And when in doubt, knock 'em out.'
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