A Quote by Alissa Quart

When I was 13, Lou Reed and the Velvet Underground made more sense to me than anything else. — © Alissa Quart
When I was 13, Lou Reed and the Velvet Underground made more sense to me than anything else.
Sweet Jane' is my favorite song by Lou Reed the writer, at least the Velvet Underground Lou Reed.
I don't think I'll ever be able to fully explain the way that the Velvet Underground's records opened a door in my head. But it has something to do with Lou Reed as a mythic figure: a person who fitted no category, who defied limits and trends and definitions.
When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
I used to love to draw things that made me laugh or made friends laugh. When I was 13 or 14, I started thinking, This is what I like to do more than anything else.
'Pitchfork' said something like, 'Michael Imperioli wrote a book that sounds like Lou Reed fan fiction,' which maybe it is. It's fiction, and I'm a fan. But it's not about me, and it's not a Lou Reed book.
For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.
Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.
My friend Lou Reed came to the end of his song. So very sad.But hey, Lou, you'll always take a walk on the wild side. Always a perfect day.
Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
'Some Kind of Monster' is a challenge, and 'Through the Never' is an extension of that. Even the album we made with Lou Reed, it was a challenge.
I was not much afraid of punishment, I was only afraid of disgrace.But that I feared more than death, more than crime, more than anything in the world. I should have rejoiced if the earth had swallowed me up and stifled me in the abyss. But my invincible sense of shame prevailed over everything . It was my shame that made me impudent, and the more wickedly I behaved the bolder my fear of confession made me. I saw nothing but the horror of being found out, of being publicly proclaimed, to my face, as a thief, as a liar, and slanderer.
Some people may complicate it for you, but the formula is simple: Love God more than anything else. More than your ego. More than your money. More than your desires...More than your sleep at dawn. Love God more than anything else, and submission comes natural. Love God more than anything else, and all goodness will follow.
I think listening to a lot of Lou Reed when I was a teenager is what encouraged me to just sing however felt good to me.
I grew up in the '90s. I listened to a lot of The Clash, Velvet Underground and Roxy Music. I wasn't into Boyzone, or anything.
Lou Reed was an ideal figure to me. He was bisexual, like me, and seemed to inhabit an ambiguous middle place on the masculine-feminine spectrum.
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