A Quote by Alistair Cooke
There is even - as with no other game - a fascinating detective literature, a wry commentary on the human comedy, implicit in the book of rules.
Quote Topics
Quote Author
Related Quotes
'Dating Game' wasn't social commentary, political analysis, Shakespearean-level drama or even blunt-force comedy. It was just the televised equivalent of meeting someone at a bar. But it appealed to our most basic Darwinian instinct: selecting a good mate. You can't go wrong when a show's premise is hard-wired into human DNA.
For the judging of contemporary literature the only test is one's personal taste. If you much like a new book, you must call it literature even though you find no other soul to agree with you, and if you dislike a book you must declare that it is not literature though a million voices should shout you that you are wrong. The ultimate decision will be made by Time.
The literary game is the abyss of human society itself: interactive, playful and tragic. We can't live alone. For me, Robinson [Crusoe] is either a false myth or else he represents the denial of human society. We can't play by ourselves. In literature, it's even more complicated, because one has to play with an indeterminate number of players simultaneously and every game is different. The other player can abandon your game at any time...to go play chess.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
It is a wry commentary on the value-system in the United States that one speaks there of "teacher training" and "driver education."
Life to me is the greatest of all games. The danger lies in treating it as a trivial game, a game to be taken lightly, and a game in which the rules don't matter much. The rules matter a great deal. The game has to be played fairly or it is no game at all. And even to win the game is not the chief end. The chief end is to win it honorably and splendidly.
You can have your beliefs, but if you're not devout, you can't quite believe that something which grows out of a story, a book or a piece of literature can rise to dominate and make entire nations go to war with each other. I think that's endlessly fascinating, and it's a human construct. It's something that's constructed to occupy the mind and occupy society, and some people would say to control society.
The citizen is becoming a pawn in a game where nobody knows the rules, where everybody consequently doubts that there are rules at all, and where the vocabulary has been diminished to such an extent that nobody is even sure what the game is all about.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.
There is a tradition that sees journalism as the dark side of literature, with book writing at its zenith. I don't agree. I think that all written work constitutes literature, even graffiti.
There are comedic rules and formulae and, while these tenets should be respected, especially by a newcomer, perversely you can still succeed by openly contradicting them. Because comedy is about breaking the rules. Even its own rules. Though, as with many disciplines, it is wise to master the basics before you attempt to subvert them.
A book is basically just symbols arranged to form this story, this world. But on the other hand, books, novels, literature in general, is what shows us at our most human.
We do not know what the rules of the game are; all we are allowed to do is to watch the playing. Of course, if we watch long enough, we may eventually catch on to a few of the rules. The rules of the game are what we mean by fundamental physics.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
Related Authors
Ambrose Bierce Quotes
American
Journalist
Andy Rooney Quotes
American
Journalist
Ann Coulter Quotes
American
Journalist
Anna Quindlen Quotes
American
Journalist
Bill Vaughan Quotes
American
Journalist
Dave Barry Quotes
American
Journalist
Dennis Prager Quotes
American
Journalist
Erma Bombeck Quotes
American
Journalist
Fran Lebowitz Quotes
American
Journalist
George Will Quotes
American
Journalist
Glenn Beck Quotes
American
Journalist
Hunter S. Thompson Quotes
American
Journalist
Mignon McLaughlin Quotes
American
Journalist
Molly Ivins Quotes
American
Journalist
Rachel Maddow Quotes
American
Journalist
Walter Lippmann Quotes
American
Journalist