A Quote by Alistair Cooke

More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.
While you were four, you didn't know anything other than being terrified and scared; you're not four any longer. Now [as an adult] you have to make a choice and recognize that even the abuse that came into your life offers you an opportunity to transcend it, to become a better person and even more significantly, to help someone else not go through what you did.
I didn't want to write a grown-up account of Gallipoli. I wanted to find out what would happen if I looked at Gallipoli through the eyes of an innocent.
We reject segregation even more militantly than you say you do! We want separation, which is not the same! The Honorable Elijah Muhammad teaches us that segregation is when your life and liberty are controlled, regulated, by someone else. To segregate means to control. Segregation is that which is forced upon inferiors by superiors. But separation is that which is done voluntarily, by two equals - for the good of both!
There are only two kinds of stories in the world: those about which I do not care to write as many as 600 words, and those about which I would like to write many more than 600 words. But there is nothing about which I would like to write exactly 600 words.
What makes you attractive is being yourself, being natural, being unaware. Even though makeup is important, you should do it all, and then forget about it. You don't want to look like anyone else, any more than you want to be anyone else. You want to look like you. Imitation may be the sincerest form of flattery - but it's flattering to someone else. Not to you.
What I hankered for was an account of knowledge which would do far more than get our intuitions about cases right; I wanted a kind of account which would somehow be explanatory.
My mother gave me a piece of bread, which was love and encouragement. The correction was the meat, the substance. And then she would sandwich that, sandwich that with another piece of bread, which was love and encouragement. That was very important in shaping and molding our morality, our understanding of ourselves, making sure that we didn’t think we were better than or less than anyone, feeling no more worthy or no less worthy than anyone else.
I wanted to write about the transformative power of small acts of kindness. An old man falls in the street, you stop and make sure he's OK. Or even smaller acts than that, though - buying someone a cup of coffee, telling them their hair looks nice - sometimes you don't realise the transformative effect on people. I wanted to celebrate that.
Sitcoms are more like stage drama than anything else on film - more than a one-hour and certainly more than a movie. You get a script on Monday. You rehearse all week. And on Friday, you're on.
I cannot think of anything more difficult than to say something which would be worthy of this impressive and, for me, memorable occasion, and of the ideals and purposes which inspired the Nobel Peace Award.
It's quite nice to play on a golf course that, even though it is links, that there's not much wind, which is good.
I have rarely read anything which has interested me more, though I have not read as yet more than a quarter of the book proper. From quotations which I had seen, I had a high notion of Aristotle's merits, but I had not the most remote notion what a wonderful man he was. Linnaeus and Cuvier have been my two gods, though in very different ways, but they were mere schoolboys to old Aristotle.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.
Americans are raised to believe that anything is possible in America if you are pure of heart and willing to work hard, which is nonsense, and that anyone can become president, which is even more foolish, and that free markets always make the right decision, which is nuts.
I would enjoy seeing anyone else sing 'Caroline Shut Up.' That would be interesting. I would give that one away, actually, which is funny, even though it's very personal.
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