A Quote by Alix Kates Shulman

Sexism goes so deep that at first it's hard to see; you think it's just reality. — © Alix Kates Shulman
Sexism goes so deep that at first it's hard to see; you think it's just reality.
It is easy to underestimate how much there is a growing awareness that there is a deep sexism in politics, there is a deep sexism in the workplace generally in America and Donald Trump has come to signify that and Hillary Clinton has come to signify the women that have to work hard, prepare more, show up earlier and go home later, work twice as hard to get the same results as men do in the same game.
I've been studying sexism for many years, and it's much easier to document the existence of sexism than it is to document the existence of interventions that reduce it. It's really hard to find ways to change the way people see people in different groups. It should be our goal, and we're working for that, but it's hard.
I think that there is just a deep and abiding sexism that's part of your life from the moment that you're conscious as a female.
The depressing reality is that campaigns like the Everyday Sexism Project would not need to exist were casual sexism not so startlingly commonplace.
I think one's art goes as far and as deep as one's love goes. I see no reason for painting but that. If I have anything to offer, it is my emotional contact with the place where I live and the people I do.
There's obviously instances where I perceive sexism in my job. ... I think that the sort of sexism that I see has been one that's a little bit like a gentler form of sexism, but still a little bit debilitating, which is that when, as a producer and a writer, whether it was at The Office or [at The Mindy Project], if I make a decision, it'll still seem like it's up for debate.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
I think that's the most dangerous kind of sexism: People don't realize it's there and we end up surreptitiously accepting it because it's just part of our culture. I've never experienced explicit, overt, confrontational sexism personally.
Sexism, like racism, goes with us into the next century. I see class warfare as overshadowing both.
Consider a tree for a moment. As beautiful as trees are to look at, we don't see what goes on underground - as they grow roots. Trees must develop deep roots in order to grow strong and produce their beauty. But we don't see the roots. We just see and enjoy the beauty. In much the same way, what goes on inside of us is like the roots of a tree.
Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.
There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it. The first visitor has an easier time, but I think the second visitor sees more.
Whatever comes and goes, is not reality. See the event as event only. Then you are vulnerable to reality, no longer armoured against it, as you were when you gave reality to events and experiences.
'The Dance Scene' is just a real look at what it takes. You see the award shows. You see the videos and you never realize what goes on behind the scenes. The reality and the preparation. The motivation I have to give each dancer on that set.
In the modern workplace, sexism has adopted a more subtle persona; therefore, people can be accused of sexism where it's far harder to determine whether they're actually committing sexism or thinking in a sexist way.
Whoever knows he is deep tries to be clear, but whoever wants to seem deep to the crowd tries to be obscure. For the crowd supposes that anything it cannot see to the bottom must be deep: it is so timid and goes so unwillingly into the water.
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