A Quote by Aljamain Sterling
At the end of the day, when you get a sponsor, it's a working relationship. So anyone I get involved with, I want it to be a working relationship where I'm generally trying to help them and they're generally trying to help me.
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I don't generally listen to music while working, but sometimes music can help me get past minor writer's block.
I have a really good relationship with a lot of people in the music industry from Detroit. They're very kind when it comes to us stepping into their field or what they do and they're really willing to help out and help you get better at what you're trying to do.
In a hospital, there's not anyone who's generally trying to do you harm. You're generally given a backstory about what happened to them, but not about their life, so you get to work on saving their life. But you know whose lives you're saving overseas, in the Army, to a certain degree. You know whether's it your guy or a bad guy, and it's generally not anybody in between.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
For me, the reason I keep working out and want to get bigger and focus on staying fit is because when you do fall it's easier to tighten up and not get hurt. I also wrestle, and that helps me a lot with taking a fall. A lot of what I do at the end of they day are things that will help me to not get hurt.
Generally my day-to-day is pretty much the same. Just busy and working and on tour. And trying to put on the best show possible every night.
I have more dumb luck thank anybody I know. There must be a convey of guardian angels working twenty-four hours a day looking after me[...] Like the night I first got to Nashville that I laid down in the middle of Broadway, waiting to get run over. It didn't happen [...] I could swear they were keeping me alive just to see what I'd get next, I'm glad they feel that way. I'm trying to help them a little more this days.
For me to work with someone, I have to know who I'm working with so I can learn how to deal with each other and try to help each other. At the end of the day, it really just comes down to building a genuine relationship. I think that's a very important factor in business.
I'm just trying to be an example for all the young artists that are becoming artists every day and working on their craft and trying to help them avoid the pitfalls of the upper management in music and the non-music side of music.
The trouble with anyone when they're unhappy or in a relationship they recognize is not working but don't know what to do about is that they can't see farther out than that. If the relationship is not working, if what was there isn't there anymore, you have to do something about it.
People see everything through a filter of them, of their own selves. And it's like, you can't be depressed because somehow that has something to do with me. And it's like - no, it doesn't. This is my brain. This is my body. These are my emotions. It's got nothing to do with you. You don't want me to get help for whatever reason you don't want me to get help. But I'm out here, and I need to get help.
My mom is proud of me. I just want to keep working hard so one day I can help my family. I am going to get a big house one day, and we all can stay in it and eat.
Sometimes I get caught in just trying to get assists, trying to help my teammates get a good shot, and I think I put myself in positions where I get turnovers or I force the issue.
The medics generally see the worst of the worst. They see everything. They're working on their friends, and they're working on their enemy. The person that was just firing at them, trying to kill them, five minutes ago, if an Army medic stumbles upon him and he's still alive, he just goes to save his life.
It took me three, four years, to get from my first film to my second film, banging on doors, trying to get people to give me a chance. Writing, struggling, with no money in the bank, working as an editor on the side. Working as a cameraman on the side. Getting little jobs, eking out a living. Trying to stay alive, and pushing a script that nobody wanted.
I was trying to foster a great working relationship between those two departments [design and the writing teams], because classically in animation the two don't get along.
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