A Quote by Aljamain Sterling

It's interesting to see all these guys keep calling me out after they win. I don't know whether it's a slap in the face or just respect. I don't know. I have no idea. I can't tell what to make of it.
For me, I felt bad for people asking the questions, cause you know their boss sent them out saying, 'Get me something on Mission Impossible.' And you ask the question, and it's just a polite, 'I'm not going to tell you.' Then, every so often, they'd go, 'Well, can't you just tell us a little bit?' I have to say, 'You know what guys, I'm under contract and I'm not going to tell you anything.' So you keep asking the questions and I'm just going to keep smiling. And it's hard, cause I don't want to seem rude, but it's part of my job just like it's part of their job to keep a secret.
The thing about angel investing, which I get into in the book a lot is, you actually don't have to understand the idea, you don't have to know if the idea is going to win, you just need to know if a founder's going to win in their life. I can just tell by looking at somebody if they'll be successful in their life. I don't even have to have a conversation. I just look at their eyes while they're talking and it becomes very clear to me.
Beyond just the respect that you want to have, people just miss out on being in the moment when they have a screen in front of their face. I just don't know to tell people. I feel it's like, you know, 'Turn off your phone and go to the theater.'
It's a little different being the older guys on the team. We are going to help get the young guys get comfortable. We'll have to get them used to what they will face out there this season. There are some good guys out there. They know what they have to do to win.
I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.
I mean, it makes me sick when I see a white man sitting there smiling at me being entertaining, man. When I know what he's gonna do after he gets through. You know, when you see that thing on their face - like: "Entertain me." You know what I mean? Even the black guy that's trying to be white - even he can have that crap on his face.
I know a lot of famous people, done a lot of cool things. Tell you what separates me from the guys I know is knowing this (holding up Bible). The famous people I know that have so much money, it's just stupid let me tell you what they want to know from me. It's not hunting, it's not TV, it's what I gathered over my life from this.
Some people are saying it's a slap in the face for me to go to a competitor, but it also was a slap in my face that they would go out and trade for Matt Williams, especially when my situation was unsure.
I have walked into several pubs, and guys in there have said to me, 'My God, you are the girl off the dancing horse.' They have got no idea about dressage, and they said, 'I can't work out whether you make the horse do that or the horse does it itself - we just couldn't tell - but it brought tears to our eyes.'
If I canot know your name, may I light a lamp so I can see your face?' If you sould ever see my face, you will lose me forever.' Why?' Psyche wanted to know. 'Are you ugly? Are you afraid I won't love you if I see your face?' Perhaps I am afraid that if you see my face, it will be THAT that you will love and not me.' I understand, believe me. I know what that feels like.
I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.
When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" โ€” "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me โ€” not to know me myself.
Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.
For me it was just exciting to see fake news catching on like that. We don't you know, it's interesting. I think we don't make things up. We just distill it to, hopefully, its most humorous nugget. And in that sense it seems faked and skewed just because we don't have to be subjective or pretend to be objective. We can just put it out there.
We know there are a lot of good secondaries out there. We are just trying to focus on what we can do to get better. We've got some new, young guys coming in and we are trying to catch them up to speed. We are trying to make sure that we have depth, making sure the guys behind us know what is going on. We are going to keep pushing each other to raise the standard for our secondary.
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