A Quote by Allan Bloom
Culture as art is the peak expression of man's creativity, his capacity to break out of nature's narrow bounds, and hence out of the degrading interpretation of man in modern natural and political science.
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The resources of nature, like those of spirit, are running out, and all that a conscientious man can aspire to be is a literal conservative, hoarding what remains of culture and of natural wealth against the fierce appetites of modern life.
Nature seems at each man's birth to have marked out the bounds of his virtues and vices, and to have determined how good or how wicked that man shall be capable of being.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
Many people correctly make the point that our only hope is to turn to God. For example, Charles Lindbergh, who said that in his young manhood he thought "science was more important than either man or God," and that "without a highly developed science modern man lacks the power to survive," . . . went to Germany after the war to see what Allied bombing had done to the Germans, who had been leaders in science. There, he says, "I learned that if his civilization is to continue, modern man must direct the material power of his science by the spiritual truths of his God."
The unlimited capacity of the plant world to sustain man at his highest is a region as yet unexplored by modern science.
Today the manliest man would be ashamed to look into the eyes of the woman by his side and tell her that he is the master because he could knock her down with perfect ease, and break her bones with much greater facility than she could his. And yet, out of man's brute nature, out of that most ignoble in himself, has come his loudest assumption of superiority, his longest and lowest tyranny.
For millenia, man remained what he was for Aristotle: a living animal with the additional capacity for a political existence; modern man is an animal whose politics places his exitence as a living being in question.
A modern factory reaches perhaps almost the limit of horror. Everybody in it is constantly harassed and kept on edge by the interference of extraneous wills while the soul is left in cold desolate misery. What man needs is silence and warmth; what he is given is an icy pandemonium. Physical labor may be painful, but it is not degrading as such. It is not art; it is not science; it is something else, possessing an exactly equal value with art and science, for it provides an equal opportunity to reach the impersonal stage of attention.
One of the most revolutionary concepts to grow out of our clinical experience is the growing recognition that innermost core of man's nature - the deepest layers of his personality, the base of his 'animal nature' - is basically socialized, forward-moving, rational and realistic... He is realistically able to control himself, and he is incorrigibly socialized in his desires. There is no beast in man, there is only man in man.
The science, the art, the jurisprudence, the chief political and social theories, of the modern world have grown out of Greece and Rome-not by favour of, but in the teeth of, the fundamental teachings of early Christianity, to which science, art, and any serious occupation with the things of this world were alike despicable.
Without no disrespect to any artist, there's a lot of degrading music out there as far as degrading the culture and degrading society as well. That's individuals that choose to make that kind of music.
...art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition - otherwise life becomes impossible! Art symbolises the meaning of our existence.
Man is the interpreter of nature, science the right interpretation.
I do not conceive of any manifestation of culture, of science, of art, as purposes in themselves. I think the purpose of science and culture is man.
Technology is neutral and sterile. Now, technology is the nature of modern man; it is our environment and our horizon. Of course, every work of man is a negation of nature, but at the same time, it is a bridge between nature and us. Technology changes nature in a more radical and decisive manner: it throws it out.
CREATIVITY is when you are not, because creativity is the fragrance of the creator. It is the presence of God in you. Creativity belongs to the creator, not to you. No man can ever be creative. Yes, man can compose, construct, but can never be a creator. When man disappears, when man becomes utterly absent, a new kind of presence enters his being - the presence of God. Then there is creativity. When God is inside you His light that starts falling around you is creativity. The climate that arises around you because of the presence of God within you is creativity.
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