A Quote by Allan Boesak

I think "post-racial" is a dangerous trap. You can fall into complacency and give your complicity a much more dangerous character. — © Allan Boesak
I think "post-racial" is a dangerous trap. You can fall into complacency and give your complicity a much more dangerous character.
Substances like LSD, which give away a secret about the nature of the social game - the human game and what underlies it - are potentially dangerous, of course, like any good thing is. Electricity is dangerous, fire is dangerous, cars are dangerous, planes are dangerous, but not so dangerous as driving on the freeway. The only way to handle danger is to face it. If you start getting frightened of it, then you make it worse. Because you project onto it all kinds of bogeys and threats which don't exist in it at all.
Laws change more slowly than custom, and though dangerous when they fall behind the times are more dangerous still when they presume to anticipate custom.
On the left hand path we take the direct route, which is much more strenuous, much more dangerous, and much more likely to cause you to fall.
I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous.
I didn't want to fall into the trap of complacency.
Man is a rope stretched between the animal and the Superman-a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting
Instinct told me it was dangerous. I could handle dangerous. Dangerous and me went back a long way. We did lunch when dangerous was in town.
Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages. Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into. It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
The propensity to intellectualize is itself both essential and dangerous. I think in our modern world we are much more aware of its essential character than of its dangers, and that is why I think of it as being an expression of transcendence.
Teddy grinned again. 'Truths are dangerous,' he said. -'Then why are you writing them in a book?' -'To catch them between the pages,' said Teddy, 'and trap them before they disappear.' -'If they're dangerous, why not let them disappear?' -'Because when truths disappear, they leave behind blank spaces, and that is also dangerous.
When your persona begins to take over your music and becomes more important, you enter a dangerous place. Once you have people around you who don't question you, you're in a dangerous place.
I don't actually think boxing is a particularly dangerous sport, I wouldn't even put it in the top ten of dangerous sports, but that's only if you take it seriously. Whenever I stepped into the ring I was well hydrated, I was at the right weight and I was prepared. It wasn't a dangerous sport for me.
We must not let ourselves be swept off our feet in horror at the danger of nuclear power. Nuclear power is not infinitely dangerous. It's just dangerous, much as coal mines, petrol repositories, fossil-fuel burning and wind turbines are dangerous.
I think you're only post-racial when you stop asking if you're post-racial. When the Neanderthals finally stopped asking themselves if they were in a post-saber tooth society, that's when they were post-saber tooth.
I think you lose your innocence when you have kids, because the world suddenly becomes a much more dangerous place.
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