Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time.
The circumstance which gives authors an advantage above all these great masters, is this, that they can multiply their originals; or rather, can make copies of their works, to what number they please, which shall be as valuable as the originals themselves.
I find that most books that I don't like are those in which the authors have indulged themselves. I can almost sense when they're writing something for themselves.
In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
Professed authors who overestimate their vocation are too full of themselves to be agreeable companions. The demands of their egotism are inveterate. They seem to be incapable of that abandon which is the requisite condition of social pleasure; and bent upon winning a tribute of admiration, or some hint which they can turn to the account of pen-craft, there is seldom in their company any of the delightful unconsciousness which harmonizes a circle.
I learned some classical music history, which I had done quite a bit at of Performing Arts. But I got some more with a great teacher named David Noon, who I've been in contact with quite a bit in recent years.
Time is of no account with great thoughts, which are as fresh to -day as when they first passed through their authors' minds ages ago.
'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.
Great editors do not discover nor produce great authors; great authors create and produce great publishers.
The young are in great danger. Much evil results from their light and trifling reading. Much time is lost which should be spent in useful employment. Some would even deprive themselves of sleep that they might finish some ridiculous love story.
Looking back in retrospect, there were some great moments working with some great people, ... I don't know quite how to put it into words. I don't look at it quite the same way other people do.
The life of woman is full of woe,
Toiling on and on and on,
With breaking heart, and tearful eyes,
The secret longings that arise,
Which this world never satisfies!
Some more, some less, but of the whole
Not one quite happy, no, not one!
I've been doing television for quite some time, so Oprah Winfrey and I thought it was a great idea to partner up. I am going to buy my own network and I thought it was a great opportunity for both of us. It's a win-win because I get the opportunity to give her what she needs, which is programming, and at the same time, I get to learn how to run a network.
The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.
It is a happy circumstance in human affairs that evils which are not cured in one way will cure themselves in some other.
I do love the weird, and I realize that I write much in that tradition, so I'm happy to be counted in among some of my favorite authors.