A Quote by Allan Holdsworth
I love music - really a lot. That's why I do it. But mine just never makes it, to me. There's always something wrong with it, something I want to change. But I like that, because at least it keeps me looking, trying to find ways I can improve, which obviously are a lot.
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I'm never really just satisfied with where I'm at. I always just want to get better, improve more, learn as much as I can because obviously I have a lot to learn and a lot to get better at so it's all about improvement to me.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
Advice from my experience, for me, I've never taken no as an answer, I don't believe in that. If I want something, I'm going to get it. When people tell me that I can't do something, it just motivates me more. For me, it makes me smile, because I just want to prove everybody wrong.
Even listening to a lot of other music inspires me, too. Like I'll find something and be like, "I love this group!" And I want to write something that's kind of like this.
For me, music is sort of my passion, more so than being an actor. I just never tried to make a career as a musician. It was just something that I did on my own time, just for me. I had written a lot of songs, but I don't really record a lot of music because, for me, it's the same way as a poet: I write to get things out. It's sort of cathartic.
A lot of my friends they call me 'the therapist'. They come to me looking for advice. I must be doing something right because they keep coming back. But I'm not very good at kind of looking into my own world and trying to pick apart what is really wrong and fix those things. I like to kind of shy away from certain issues and turn away.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
It doesn't seem expected for us to do something like that, but I love electronic music. I spend a lot of my time listening to that and just trying to understand what makes it work - what makes it move people the way it does and why they have some of the best-selling festivals in the world.
With a novel, you have the reader with you a lot longer, and you owe him a lot more. Obviously you have to have a plot - I say "obviously," although I think a lot of fiction doesn't, and nothing seems to happen. But to me, there should be something that happens, and it should be at least vaguely plausible. And because the readers are going to be with these characters for a long time, you have to get to know them and like them and want to know what happens to them.
I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
[I want to be] Something that really touched you - and as far as image and change goes, I just really want a lot of people to respect my music and treat me... [as] inspiration.
No particular music makes me feel nostalgic. If it's great, it just keeps me in the present moment. That level of music is like a classic story, like the Iliad-something so perfect it can never be old.
It takes me awhile to find something that I'm passionate about. I'm reading a lot and thinking a lot, and torturing myself a lot because I'm feeling really guilty for not writing something today.
I find that getting something on the screen as soon as possible really helps focus the problem for me. It helps me decide what to work on next. Because if you're just looking at that big to-do list it's like, eh, I don't know which one I should do—does it matter which one I do? But if there's something you can actually look at, even if it's just the debug output of your mailbox parser, it's like, OK, there!
I don't drink and I never have. A lot of people ask me why. But imagine if something goes wrong... I just want to make sure I've got nothing to blame, like: 'I should have done this, I should have done that.' I just want to focus on what I do on the pitch.
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