A Quote by Allan Sekula

The only objective truth that photographs offer is the assertion that somebody or something... was somewhere and took a picture. — © Allan Sekula
The only objective truth that photographs offer is the assertion that somebody or something... was somewhere and took a picture.
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
Saudi Arabia is so conservative. At first there were photographs of women I took that I couldn't publish - of women without their abayas. So I started writing out little anecdotes about things I couldn't photograph and wove it in with a more obscure picture and called it "moments that got away". I realised these worked as well as the photographs by themselves. There are a lot of photographers who feel the story is all in the photographs but I really believe in weaving in complementary words with the pictures.
I took individual photographs of Annie Liebovitz, I kept taking her picture.
I think that anybody who's anti-selfie is really just a hater. Because, truthfully, why shouldn't people take pictures of themselves? When I'm on Instagram and I see that somebody took a picture of themselves, I'm like, 'Thank you.' I don't need to see a picture of the sky, the trees, plants. There's only one you.
I've had photographs taken for portraits because I very much prefer working from the photographs than from models... I couldn't attempt to do a portrait from photographs of somebody I didn't know.
We are all in this together. We want to have, I suppose, a single point of entry so that anyone coming near a disability service can get a very complete picture. Government needs to understand that picture, and we need to be able to offer somebody a one-stop shop.
Liberation from meaning leaves us skeptical of truth itself, comfortable only to acknowledge 'your truth' and 'my truth,' confident only in the reality of subjective feeling rather than objective fact.
I have a big box of autographs. I took photographs of me and Marlene Dietrich, me and Ida Lupino. I took pictures of Myrna Loy and Joel McCrea in front of the studios. I loved Hollywood. I have 500 autographs and 500 photographs I took.
And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
I believe it is an established maxim in morals that he who makes an assertion without knowing whether it is true or false, is guilty of falsehood; and the accidental truth of the assertion, does not justify or excuse him.
There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.
People who take photographs during their whole vacation won't remember their vacation. They'll only remember what photographs they took.
It is the photographs that gives one the vivid realization of what actually took place. (On photographs from Abu Ghraib prison.)
We all expect photographs to be a picture of something. We assume that the photographer observed a place, a person, an event in the world, and wants to record it, point at it…The problem with my work is that these images are really not of anything in that sense, they register only that which is incidental and peripheral to the implied it.
I now believe that there's only a certain amount of good luck in the world, and so if something good happens to me, that means something bad has to happen to somebody, somewhere.
Whenever I sat down to write something it was never anything I took lightly. It was something that I'd want you, somebody in Japan, and somebody [over there to hear it].
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