A Quote by Allan Sherman
The whole city gives you the impression of impermanence. You have the feeling that one day someone is going to yell, "Cut! Strike it!" and then the stagehands will scurry out and remove the mountains, the movie-star homes, the Hollywood Bowl--everything.
Related Quotes
In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star ... Today people can idolize a star in one area and forget about him in another. A big rock star might sell millions and millions of records, but then if he makes a bad movie ... forget it.
No matter how I cut my hair, when it grows out, it will always grow out into The Bowl. I just naturally have a bowl.
For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.
I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.
Tomorrow I too – this feeling and thinking soul, the universe I am to myself – yes, tomorrow I too will be someone who no longer walks these streets, someone others will evoke with a vague: 'I wonder what's become of him?” And everything I do, everything I feel, everything I experience, will be just one less passer-by on the daily streets of some city or other.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I'm going to be a movie star, break Hollywood.
Lying about one's sexuality seems to be one of the ridiculous rules of what constitutes being a Hollywood movie star. Obviously, my own experience of working and continuing to work as an out gay actor is exactly that - working as an actor and not as a movie star. I don't think the two are the same.
You can't put the Hollywood sign in a movie without paying them. That is a landmark in L.A. I'm sorry, remove it from our skyline, then. You know? How dare they. That should be public domain, right? But it's privately owned, and they enforce that. They sue people. If you see it in the movie, they've paid for that.
Sometimes it takes time to become part of the collective unconscious, just like 'Fanboys' did. Going into that movie, I said to myself that if you were a 'Star Wars' fan, you were going to love that movie. It's an homage to everything science-fiction, but especially 'Star Wars.'
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
Do you know anything at all that nobody else knows or, for that matter, gives a damn about? If you do, then sit tight, because one of these days you're going to Hollywood as a technical supervisor on a million dollar movie.
You can't find an uglier urban environment than the centre of Hollywood, but then you go to Griffith Park, you go to the beach, you go to the mountains, and it's rural. I live up in the Hollywood Hills and I have frogs, owls, coyotes, mountain lions - but I'm ten minutes from the centre of the city.
Shooting gives me a good feeling. It is faster than baseball and you are out on one strike.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
Graham Wallas has reminded us that writing as compared with speaking involves an impression at the second remove and reading an impression at the third remove. The voice of a second-rate person is more impressive than the published opinion of superior ability.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician