A Quote by Allard K. Lowenstein
If there's no connection between the tactic and the result you're trying to achieve, and if in the process you can damage other people who are in fact innocent in the whole situation, I think you ought to re-examine whether what you're doing makes sense.
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I don't think that people accept the fact that life doesn't make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.
Writers and reporters need to remind themselves they're not to be judged solely by the number of clicks or eyeballs on a given story, but there is this other value and this other important mission, and the key is balancing the two so that you stay alive long enough, whether you're an individual writer or whether you're a whole news organization, to keep doing what you're doing but that you don't get so driven by that that you forget that what you're supposed to be doing in a higher sense is informing people, is elevating the debate and not lowering it.
I'm a big believer in playing truth and not doing things for effect. It's not about whether you look pretty or glamorous. It's about whether people connect. That's important to me in any work I do. For me, the key is always trying to find the connection between the audience and the character I'm playing.
The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.
Any play that makes an audience think out of the box, that makes connections to life and names our pain and by doing so makes our pain subject to thinking and the process of understanding, is doing something inherently political. By promoting understanding, by putting experience in context, by making connections between the normal and the rational, theatre is an act of anti-terrorism. It stimulates courage and a survival spirit. In that sense of political, there are a lot of serious plays doing their work in the world.
In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.
I think everybody must be aware that this society is a whole lot shakier now than it was before the war. I was trying to examine, in 'Dog Soldiers,' the process of that blow falling on America.
I think everybody must be aware that this society is a whole lot shakier now than it was before the war. I was trying to examine, in 'Dog Soldiers,' the process of that blow falling on America
Anupam can make you feel good in any situation. His sense of humour and connection with people makes him special. We both are real people and have not picked up the airs of stardom.
A particular rule that seems to make sense in the individual case makes no sense when it is made a universal rule and applied to all cases. It makes no sense because it fails to take into account the connection between one broken window left untended and a thousand broken windows.
So here we have it. The equivocating distinction between civilisation and savagery, between the "massacre of innocent people" or, if you like, "a clash of civilisations" and "collateral damage". The sophistry and fastidious algebra of infinite justice.
I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.
The fact that other countries spy on their own people or spy on each other does not address the fact that the US is engaged in massive, bulk collection to the tune of 70.3 million telecommunications a month in France of perfectly innocent people. That has nothing to do with protecting the United States, and has nothing to do with really gathering any kind of meaningful intelligence on France. It is an overreach ... and I think the other countries are justifiably outraged .... As one of our founders said: Those who choose between liberty and security deserve neither.
If you start out trying to achieve a specific thing - like doing stadium shows or going into the studio and doing an album - the end result is what counts.
There's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
Examine yourself to see whether you have within you a strong sense of your own self importance, or negatively, whether you have failed to realize that you are nothing. This feeling of self-importance is deeply hidden, but it controls the whole of our life. Its first demand is that everything should be as we wish it, and as soon as this is not so we complain to God and are annoyed with people.
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