A Quote by Allen Ginsberg
Black musicians were imitating speech cadences, and Kerouac was imitating the black musicians' breath cadences on their horns and brought it back to speech. It always was speech rhythms or cadences as far as the ear that Kerouac was developing. All passed through black music.
Related Quotes
When, on the still cold nights, he pointed his nose at a star and howled long and wolf-like, it was his ancestors, dead and dust, pointing nose at star and howling down through the centuries and through him. And his cadences were their cadences, the cadences which voiced their woe and what to them was the meaning of the stillness, and the cold, and dark.
I'm not a bad mimic, and I can pick up speech cadences that I would not pick up if I didn't hit the road.
It's always easy to get people to condemn threats to free speech when the speech being threatened is speech that they like. It's much more difficult to induce support for free speech rights when the speech being punished is speech they find repellent.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
When Minutemen leader Jim Gilchrist and his black colleague Marvin Stewart were invited by the College Republicans to speak at Columbia last year, the tolerant, free-speech-loving Columbia students violently attacked them, shutting down the speech.
Of course, you have politics, the Vietnam war and all that monkey business. There are all kinds of reasons. At every one of those demonstrations in the late Sixties about the Vietnam war, you could guarantee there'd be a series of speeches. The ostensible purpose was to protest the war. But then somebody came up and gave a black power speech, usually Black Muslims, then. And then you'd have a women's rights speech. It was terrible to listen to these things.
I felt black. I was as far as I was concerned. And I wanted to be black for lots of reasons. They were better musicians, they were better athletes, they were not uptight about sex, and they knew how to enjoy life better than most people.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
If a university official's letter accusing a speaker of having a proclivity to commit speech crimes before she's given the speech - which then leads to Facebook postings demanding that Ann Coulter be hurt, a massive riot and a police-ordered cancellation of the speech - is not hate speech, then there is no such thing as hate speech.
There were so many groups that I had in college, but I was always the solo singer. But what made it so unusual back in the day was that I was a black girl playing with all these white musicians, and I was also singing rock music on top of it.
How, then, has Obama been saddled with an image of being long on inspiration and short on details? The answer is that journalists are not accustomed to covering a candidate who moves crowds the way Obama does, who uses speech cadences and rhythm like Martin Luther King Jr. without making his talk explicitly about race. Sen. Clinton already owned the policy-wonk slot, so by default, Obama was cast as the poetic one.
I’m supposed to be all re-injected with yes-we-can fever after the big health care speech, and it was a great speech - when Black Elvis gets jiggy with his teleprompter, there is none better. But here’s the thing: Muhammad Ali also had a way with words, but it helped enormously that he could also punch guys in the face.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
In music, the Specials brought a city, Coventry, bombed out for a second time and riven with racism, to a celebration between black and white musicians and their music.
I prefer a little free speech to no free speech at all; but how many have free speech or the chance or the mind for it; and is not free speech here as elsewhere clamped down on in ratio of its freedom and danger?
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
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