A Quote by Allen Ginsberg

If I had a soul I sold it for pretty words If I had a body I used it up spurting my essence Allen Ginsberg warns you dont follow my path to extinction — © Allen Ginsberg
If I had a soul I sold it for pretty words If I had a body I used it up spurting my essence Allen Ginsberg warns you dont follow my path to extinction
Of course, there are some people who behave rudely. Allen Ginsberg used to like to get up in public and take his clothes off. I don't do that, but I liked Allen Ginsberg. He was a nice guy.
I still had to correct Allen Ginsberg at times when he called women girls. I'd say. Allen please, it's not politically correct.
I used to think of that line in Allen Ginsberg's 'Howl', about the 'sad cup of coffee'.. ..I have had cold coffee and hot coffee and lousy coffee, But I've never had a sad cup of coffee.
It was as if the demise of the owner had lent the flat a physical void it hadn't had before. At the same time he had the feeling that he wasn't alone. Harry believed in the existence of the soul. Not that he was particularly religious as such, but it was one thing which always struck him when he saw a dead body: the body was bereft of something...the creature had gone, the light had gone,there was not the illusory afterglow that long-since burned-out stars have. The body was missing its soul and it was the absence of the soul that made Harry believe.
Allen Ginsberg was a world authority on the writing of William Blake, and had an incredible knowledge of classic literature and world politics.
I saw [Allen Ginsberg] more as an old man who liked poetry and who had a lot of physical and emotional problems. We liked our time together.
My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
We had collaborated with Allen Ginsberg on one of his last projects just before he died in the spring of '97, a book called Illuminated Poems - it was Allen's poems and songs and I illustrated them. Or, I illuminated them with paintings and drawings that bounced off of them. You want the picture to relate to the text without it slavishly regurgitating it or merely illustrating it, because that's redundant. You want to show another angle of what the text is saying.
Disconnected from my feminine soul, I had also unknowingly forfeited my power to name sacred reality. I had simply accepted what men had named. Neither had I noticed that when women give this power away, it is rarely used to liberate and restore value to women. More often it is used to shore up and enhance the privileged position of men.
When [Allen] Ginsberg and I founded the Jack Kerouac School of Disembodied Poetics - that was 1974 - we referred to it by a term used by Sufi thinker Hakim Bey, as "temporary autonomous zones." That for me sums up some of Whitman's sense of a community of likeminded people with a certain kind of adhesiveness and connection and sharing of this ethos.
That was when I learned that words are no good; that words dont ever fit even what they are trying to say at. When he was born I knew that motherhood was invented by someone who had to have a word for it because the ones that had the children didn't care whether there was a word for it or not. I knew that fear was invented by someone that had never had the fear; pride, who never had the pride.
At the time the world was all upside down. The American people were beginning to move around a lot. The old hometown ties had been pretty much broken. The theme of Farmer Takes a Wife appealed to people. Everybody was homesick. And it sold and sold and sold.
A l'intérieur de ce corps vivait l'âme d'une intellectuelle et poète dont personne n'avait le soupçon. Within this body lived the soul of an intellectual and poet, which nobody had suspected.
The Savior warns that if we start along the path and go far enough and then fail and deny Him, it would have been better if we had never begun.
Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.
I was photographing the photographer Brassaï. He had very prominent eyes, like a frog's. As I focused my lens, he brought his hand up and pretended to focus his eye. It was a joke, but it added mystery to the picture. There's a sense of action in a very small world. Or with Allen Ginsberg there were people smoking cigarettes and in the smoke there's a sense of motion. It makes much out of very little.
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