A Quote by Allen Iverson
A jump shot can get you a shoe deal, a big house, a supermodel, fancy cars, a bunch of yes men, a Swiss bank account. But none of these things can get you a jump shot
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I already accepted that I can't jump no more. I'm not as fast as I used to be. I accepted that already. That's where you become more smart, make that first step or two before that quick player can get there. I gotta make this jump shot, so I'll give a pump fake because I know that he can jump higher than me.
Anybody that shoots a hook shot, whatever hand, I jump up and cheer because it's the easiest shot, it's the best tweener shot.
Listen: God doesn't care whether or not you make your next jump shot. God will give you a lot of things in life, but he's not going to give you your jump shot. Only hard work will do that.
I always thought the objective of basketball was to get the maximum amount of movement to get the easiest shot, closest to the basket. With the three-point rule, the whole strategy changes, and you make a move and then throw it 30 feet out, where somebody takes a standing jump shot.
The older you get, the longer your jump shot becomes.
I think my jump shot could get a lot, lot better. I could become a really big threat out there.
With my jump shot, once I get that consistent, I feel like that is going to be a huge advantage for me.
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.
I shot a lot of stuff that no one will ever see. That was my student work. What also happened was there was a big jump in technology.
Tim Hardaway was a guy who had his crossover and then he could shoot a jump shot and he could get to the bucket.
There are a lot of 7-footers that aren't good shot blockers whether it's their athleticism, their quick jump, their eye-hand coordination, their ability to get their hands on the ball. Part of it is just instinctual.
I would jump into the middle of the street and say, "excuse me, there's a Mercedes that's got to get through here." And I would push people out of the way, "get out of the way! Let him through!" Smacking their cars and stuff. Just like, "whack" and you just jump into it.
There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
Jump to the day we'll all be dead and none of this will matter. Jump to the day another house will stand here and the people living there won't know we ever happened.
The major difference between the big shot and the little shot is the big shot is just a little shot who kept on shooting.
[Martin] Scorsese says one of the great things he loves about it is how Mark can't get the right shot and he's killing people because he can't get the right shot. It's an example of what film-makers are like.
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