A Quote by Allison Brennan

Every villain is a hero in his or her own mind. — © Allison Brennan
Every villain is a hero in his or her own mind.
Every villain is a hero in his own mind.
If you look at all of the villains in the course of human history, they've all believed, delusionally, in the virtue of their actions - every villain is a hero in his own mind.
Every hero is the villain of his own story.
Every good villain has his or her own vulnerability.
No one is an unjust villain in his own mind. Even - perhaps even especially those who are the worst of us. Some of the cruelest tyrants in history were motivated by noble ideals, or made choices they would call "hard but necessary" for the good of their nation. We're all the hero of our own story.
In Shoojit's films, there is no hero and villain. Every character has its own space and there is a social message in all of his films whether it is 'Vicky Donor' or 'Madras Cafe.'
Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
Character artist, villain, comedian, comedy villain, hero - he has been perfect in them all. That's Mohan Babu. His dialogue delivery is perfect.
Operas elucidate, in a way sometimes absent in other theatrical productions, the very human fact that in every hero, there is a thread of duplicity. In every villain, there is another side to consider: We don't have to like him or her, but we are compelled to think about motivation.
In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it.
Every girl has her own character, every boy his own mind.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
That's how it works in Westerns: the hero is minding his own business and trying to make a living, but he does something, the villain finds out about it and they have to have a showdown. So it's kind of a Western set to hip hop music.
The only difference between a hero and the villain is that the villain chooses to use that power in a way that is selfish and hurts other people.
It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end.
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