A Quote by Allison Janney
I think it was a subject matter that The Social Network didn't involve a lot of women. That's all I think it is.
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When you think about 'World of Warcraft' as a social network, and you think about the future version of Battle.net as Blizzard's social network, then you wanna stay connected to your social network.
I don't think of Twitter as a social network. I think of it as a messaging system that has a lot of social components to it.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.
I hear a lot of young people talking about the need to network. I think that is true, and I think that building a network makes sense. But I also think that there is another way to approach it, and that is to try to make friends. Just try to make a lot of friends.
It doesn't matter if it's a wireless or wired network. I think network management can be introduced that is equally sensible.
In general, we're a social network. I prefer that because I think it is focused on the people part of it - as opposed to some people call it social media, which I think focuses more on the content.
I think the model of The CW Network is really built on the fan platform more than anything else. The success or longevity of a series has less to do with the number it's pulling and more to do with the social footprint... There is a lot about the fan support on a strictly business level that's really powerful for that network.
I don't think you can be successful in television without appealing to women. I don't think it's possible. I think that men like women. It doesn't really matter what they do - they love anything. But women don't necessarily like every woman, so I think that's a challenge to get the female audience to not only relate to you but also like you.
I try to be a partygoer. But at some point I don't know why I'm doing it and fall back. I've been using repression, the struggle between behaving as a social animal. You're seeking to be honest with your free will, less conflict. I think that's an important subject with me. That's who I am, how I was brought up. I think I use that a lot. I mistrust everything I think. Things you think you can trust, believe in, or hang on to, changes. That's the essence of life.
You curate information that you want to receive. It's a lot different because I'm not asking you if it's okay, I'm just saying I'm following your updates. That's why I don't think of Twitter as a social network.
I don't send and receive messages on Snapchat; I never have. Stories is the only feature I use. I think of them becoming a more dynamic social network, and I think it's great.
No matter how little we think anatomy should matter to one's social and political rights, surely we can't pretend biology doesn't matter in sports. Surely there's a reason we don't let adults play in the t-ball leagues, and a reason most women athletes want their own leagues.
Most of the network television audience now is primarily women, but I think that's because the shows are developed to appeal to women. I don't know that there are too many shows that appeal to guys anymore. I'm not sure why that is, but I think that it may have something to do with the fact that most development staffs are women.
I think one of the major things a director has to do is to know his subject matter, the subject matter of his script, know the truth and the reality of it. That's very important.
Our actual lives, including our values, our social relations, our self-conceptions, and many of our concepts, are pervasively shaped both by the knowledge and by the fact that we will someday die - that we are subject to extreme temporal scarcity. There is no reason to think that, if we were immortal, the same things would continue to matter to us. We have little or no idea what, if anything, would matter to immortal beings, or even how such beings would think of themselves.
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