A Quote by Allison Janney

I just wish that I had a part in everything Aaron Sorkin wrote. Sometimes I wish I was a member of an acting troupe where we all just kept working together, the same people. I can't, unfortunately, be in everything he writes. I'm excited for him, but I'm jealous that I wasn't a part of it.
Actually way back when Abhishek and I were just co-actors, I kept telling him 'let's be a part of a troupe and go on a world tour'. And he kept on saying 'It's not the right time'. But I never thought that my wish will be fulfilled in such a grand way and that we will be part of the team as man and wife.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.
I wish I had the courage not to fight and doubt everything... I wish, just once, I could say, 'This. This is good enough. Just because I choose it.
As a filmmaker, I wish we didn't have to do trailers at all, quite honestly. I wish we didn't have to do posters. I wish didn't have to give anything away. I wish people could just come in the movie blind. But as an audience member, I respect that you have to tell an audience that this is worth your time.
I'd love to work with Aaron Sorkin on something. Just the way he writes, he has no fear in writing people that are fiercely intelligent, and I love that.
I do wish my career had kept going. I think sometimes people think that we know everything in advance. We don't.
I love the chameleon nature of this business [acting]. I always have. Sometimes I'm not as recognizable as somebody else and I may not have gotten a role, but for me, acting is not a competition. I've just kept my head down and kept working, and had the great pleasure of working with some amazing people and playing some extraordinary and extreme characters.
I don't collect any memorabilia. I wish I'd have kept everything I had. But who knew you had to keep it. Just gave it away. And we lost so much and we didn't look after a lot of it.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
There's that part of you as a performer that when you're told you're gonna be a fan favorite, you think 'Oh man, I better smile more and be kinder, let the people in more' I kinda had to fight all those instincts and just be like 'No, no no, you're gonna walk at the same pace, do everything with the same cadence, do everything the same.'
I'm an amalgamation of what I've needed to be. Part scholar, part rebel, part nobleman, part Mistborn, and part soldier. Sometimes I don't even know myself. I had a devil of a time getting all those pieces to work together. And, just when I'm starting to get it figured out, the world up and ends on me.
Aaron Sorkin has been incredibly good to me; I don't know that I would have an acting career without him. Thanks to him, people think I'm smart and nice, but I'm neither.
You don’t know what goes on in anyone’s life but your own. And when you mess with one part of a person’s life, you’re not messing with just that part. Unfortunately, you can’t be that precise and selective. When you mess with one part of a person’s life, you’re messing with their entire life. Everything. . . affects everything.
People sometimes talk about me as being a brand, having a strategy and whatever else. I wish. Seriously. I wish I had it together enough to have a strategy. But it's so instinctual. It usually comes down to two things: the person I'm working with - the director is really important to me - and a line in a script.
Like icebergs, people normally expose only a small part of themselves, and generally just the part they wish to show.
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