A Quote by Allison Mack

There's a relationship in the reality with how theater is presented - you can't experience that anywhere else. When you mess up, you mess up obviously, when you sweat, you sweat obviously, when you cry, you cry obviously. There's no hiding in theater.
Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat!
I started in the theater when I was 10, so I grew up in the theater and was very used to that, but I love movies and television, also, obviously.
You know, obviously I've been around for a while, so I've got a little sweat and blood equity built up.
Will TV kill the theater? If the programs I have seen, save for "Kukla, Fran and Ollie," the ball games and the fights, are any criterion, the theater need not wake up in a cold sweat.
Well, enforcement theater is OK if it's reality theater. In other words, obviously, you want to make it clear, you want to make people see that the law is being enforced.
And there are certain things, and they are evident, obviously, without being boring about it, but I mean obviously, the two evident and easy ones being Gandhi and Cry Freedom, there are things which I do care about very much and which I would like to stand up and be counted.
I'm a big crier. I never cry when something is painful, but I cry if things are frustrating. Like if I'm trying to do something, and I mess up over and over. If I'm playing a video game, and I can't beat a level that I've tried 10 times, I'll cry. When I was a kid, I think I cried for every practice from 2003 to the middle of 2006.
I'm not a big dreamer. I never have been.The only thing I've sort of obviously extracted from the research of dreams is that I don't think there's a specific science you can put on dream psychology. I think that it's up to, obviously, the individual. Obviously, we suppress things, emotions, things during the day - thoughts that we obviously haven't thought through enough, and in that state of sleep when our subconscious or mind just sort of randomly fires off different surreal story structures, and when we wake up we should pay attention to these things.
You can sweat by not practicing or you can pick up your clarinet. There's good sweat and there's bad sweat.
Obviously you don't want to mess with an Achilles. That is for sure.
I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.
Yeah, I obviously do get nervous before the matches. I obviously have butterflies. I obviously want to do well.
Obviously, I don't want to leave Boston. Obviously, I love it here. Obviously, the fans have treated me great. No doubt about that.
The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.
If religion had a good purpose, then man would have created something great. But we're man: we mess up everything. We mess up nature. We mess up God. We take what is given to us and make it into what we think it should be.
I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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