A Quote by Allison Mackie
The exchange of words is a lot like a virtual handshake. Is the writer's grasp of the language strong and bold? Are the words gripping? Direct? Inventive? Sincere?
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The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America.
You'll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want
Words are coin. Words alienate. Language is no medium for desire. Desire is rapture, not exchange.
My music is written with one goal in mind: to improvise. It's like explaining a great story in words, but without words, much faster than you could with words. It's like a direct line of instantaneous communication where you don't have to wait for the end.
I have to watch my language. I think a lot about the words I use in both the public environment and the dressing room. The language you use is a direct insight into how you are feeling.
You've been quiet these past days," Trevanion said. "Are you going to tell me what the...exchange of words was about?" "Who said there was an exchange of words?" Finnikin asked with irritation. "When a woman says 'I hope you fall under your horse' and 'catch your death, then see if I grieve you,'" Perri said, "then there's been an exchange of words." Finnikin glared at him. "In my humble opinion.
An image is a bridge between evoked emotion and conscious knowledge; words are the cables that hold up the bridge. Images are more direct, more immediate than words, and closer to the unconscious. Picture language precedes thinking in words; the metaphorical mind precedes analytical consciousness.
Language, after all, is organic. You can't force words into existence. You can't force new meanings into words. And some words can't or won't or shouldn't be laundered or neutered. Language develops naturally.
Music is a language of emotion. I'm passionate about it because I think it's the most direct way to connect to the things that are ineffable. Words just aren't necessary a good enough opportunity to express. Words are maybe less than accessible at expressing.
Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.
Words were one of the most powerful forces known— or unknown— to man. The Most High had created this world with His words. And humans, who had been fashioned in His image, could direct the entire course of their lives with their words, their mouths as the rudder on a ship, as the bridle on a horse. They produced with their words. They destroyed with their words.
Sound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.
The being level speaks the language of art, music, color shape and pattern directly -- a language that requires no words -- is not limited by words -- nor does it have the specificity of words and thus cannot be broken onto parts that can be manipulated or analyzed by the intellect. It must be swallowed, whole not parsed, sorted and justified.
English is such a deliciously complex and undisciplined language, we can bend, fuse, distort words to all our purposes. We give old words new meanings, and we borrow new words from any language that intrudes into our intellectual environment.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
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