A Quote by Allison Pearson

I speak as the journalist who, on the first day back at work for 'The Daily Telegraph' after the birth of my daughter, went to interview Tom Hanks with an epaulette of banana sick on my jacket.
The guy I've never worked with that is pissing me off is Tom Hanks. I want to work with Tom Hanks more than anyone.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
When you're a kid, Kermit is Tom Hanks. He's Tom Hanks for kids or Jimmy Stewart for kids. He's truly the every man.
To do a movie with someone like Tom Hanks that when you tell your dad, your dad knows who Tom Hanks is - it feels like you're finally giving back to your parents. It's like you've actually done something that they can recognize, and there's something in me that makes them super proud.
Truth is, we offered it to Tom Hanks, which pretty much every movie in America does, but Tom passed. Billy Bob said that Hanks recently called and said he's voting for all of us for Oscars, he loved the film.
I grew up being absolutely in love with Tom Hanks. I remember, all the kids had Brad Pitt plastered all over their textbooks, and then I had Tom Hanks plastered over mine.
All the kids are gone. It's the greatest thing that has ever happened to Mr. and Mrs. Tom Hanks. I'll tell you that right now. Second greatest after having the kids in the first place. When they go, holy smoke, it's like you're dating again. It's fantastic. Also, we were doing an awful lot of work.
I remember the first day I got there, they started the take and after four takes I was on the ground, on my back, with a banana and a Twizzler in my hand, and my face was green, and they said, "You can't get back on set for another 30 minutes." That was a, "Welcome to Atlanta," and that put everything in perspective.
Well, who wouldn't want to work with Tom Hanks?
Hanks is a good man, and he produced the "John Adams" series as well. He does good work. But I'm more worried about a Tom Hanks when we're at war against radical Islam than I am against a caricature like Sean Penn. He's a completely marginalized soul.
As a journalist, I never isolated myself. I was a journalist at a daily newspaper and every day I went out on the street. Every day I had contact with people. I interviewed the most important writers of the twentieth century, and into the twenty-first century, from Simone de Beauvoir, Marguerite Duras, and Marguerite Yourcenar to Christa Wolf.
Most actors that I work with are wonderful. Jodie Foster or Tom Hanks will make anything work.
Tom Hanks is one of my favourite actors... I definitely want to work with him.
After seeing 'Big,' I wanted an elevator that opened directly into my apartment, just like Tom Hanks did.
Spanish was my first language. Honestly, I learned to first speak in Spanish, not English, because my poor mother had to go to San Diego every day to work and then come back. And she would come home when I was an infant long after I was asleep.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
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