A Quote by Allison Scagliotti

I do feel more towards certain characters who have depth and intelligence. — © Allison Scagliotti
I do feel more towards certain characters who have depth and intelligence.
People feel certain things. Hispanics feel certain things towards blacks. Blacks feel certain things towards other groups. It's been that way historically and it will always be that way.
I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
I think the more depth you build into the characters, and the more you see where they came from, the more fun you can have. Setting up different characters in different relationships is always helpful as you move forward.
What the Net does is shift the emphasis of our intelligence, away from what might be called a meditative or contemplative intelligence and more toward what might be called a utilitarian intelligence. The price of zipping among lots of bits of information is a loss of depth in our thinking.
I've done 70 different characters on my podcast. But in terms of characters that I revisit a lot, I think there are 10 that I know more in-depth.
What is usually called 'intelligence' refers to the linguistic and logical capacities that are valued in certain kinds of school and for certain school-like tasks. It leaves little if any room for spatial intelligence, personal intelligences, musical intelligence, etc.
I'm drawn towards people who have a little pathos and a little dark side, and I feel the same towards fictional characters.
This will sound funny coming out of my mouth, but I like to play characters that have an intelligence. It doesn't matter if it's a physical intelligence or emotional intelligence.
May I repeat what I told you here: treat nature by means of the cylinder, the sphere, the cone, everything brought into proper perspective so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth... lines perpendicular to this horizon give depth. But nature for us men is more depth than surface, whence the need to introduce into our light vibrations, represented by the reds and yellows, a sufficient amount of blueness to give the feel of air.
Whatever you think about his intelligence, what's unquestionable is that Reagan had extraordinary emotional intelligence. He could sense the temperature of a room, and tell them a story and make them feel good. And that's more fun, right? It's more fun to feel good than feel bad. That's part of our human state.
The idea of the writer who writes nineteen novels, with various ups and downs and levels of experimentation, isn't around so much now. There's a focus, I think, on fewer books, with more pressure on each book to succeed. With that there comes, I think, a certain pressure towards shapeliness in fiction. Towards neatness. And I think writers feel that, and it can effect how they write.
A lot of the characters I gravitate towards feel like outsiders.
Humanity actually has the gall to feel they are more advanced than they were; technology somehow defines intelligence. If technology enables you to kill more people, that doesn't define intelligence. An intelligent species survives.
A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy.
So the characters that I choose, I like to make sure that they have depth and that they have some sort of bite. It's more fun.
Idiots are very very clear - clear in the sense that they do not have the intelligence to feel confusion. To feel confusion needs great intelligence. Only the intelligent ones feel confusion; otherwise the mediocres go on moving in life, smiling, laughing, accumulating money, struggling for more power and fame. If you see them you will feel a little jealous; they look so confident, they even look happy.
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