A Quote by Allison Tolman
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
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I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
'Brooklyn Nine-Nine' is an idealized, fun comedy world in which feminism is an underlying value that all the characters have. Equality is a value all the characters have. I mean, I want to live in that world. I'd like to make the world feel more like that, but I understand that it's a fantasy.
When our thoughts look real, we live in a world of suffering. When they look subjective, we live in a world of choice. When they look arbitrary, we live in a world of possibility. And when we see them as illusory, we wake up inside a world of dreams.
I think women have such rich emotional lives that they are expressive about. I also think they're funny. I like watching strong female characters, and I like writing them. I don't know if it's conscious that I gravitate towards women, but it's certainly evolved that way.
If you look at that incredible burst of fantastic characters that emerged in the late 19th century/early 20th century, you can see so many of the fears and hopes of those times embedded in those characters. Even in throwaway bits of contemporary culture you can often find some penetrating insights into the real world around us.
You've got to look at yourself as what I call a lifer. You're going to be out there playing music your whole life, in a live situation. That's what sends me out into the world, and as I see this beautiful world, I want to do more and contribute more, and stay in a position to do more and contribute more.
I was hurt when someone on television said that we film people live in an imaginary world and the sportsmen live in reality. I would like to tell them that we live very much in reality and the amount of hard work we do, I doubt anyone in this country can or in the world can do.
The primary reason people watch television is you want to see the world through somebody else's eyes, and learn what that's like. You can only live one life, and so you get to see other lives through these characters.
Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.
I think what art is always doing is making us see the world so differently, and I don't mean just colors and light, but re-thinking relationships, spatial relationships, psychological relationships ... those who gravitate to the art world actually want to be puzzled.
Roles written for women are so much more complex on television. The film world is becoming quite flimsy for women.
I think there are great roles for women in television because there is time to allow those characters to evolve. Even if you're the wife or the girlfriend or whatever it is that we women are, playing those things on TV, they are much more drawn out and there are greater arcs for the role. The roles are more integral to the complexity of the story.
I think women are amazing and women's friendships are like a sisterhood and we should see more of it in television and film.
I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.
When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us. If something happens where I live, you see it tomorrow or perhaps even at the same time it is happening there. It's not "one world" in the sense that conflicts are resolved in the world. But we are more one world in that we know what is going on and are psychologically influenced by what goes on around us.
Television, above all, is the place where people can see the world they live in, and if the world they live in is a world without the arts, so much the worse for television, and so much the worse for the viewers.
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