A Quote by Allison Tolman

I taped my original audition for 'Fargo' with my agency in Chicago, Stewart Talent. — © Allison Tolman
I taped my original audition for 'Fargo' with my agency in Chicago, Stewart Talent.
I didn't audition for 'Fargo.' It was a straight offer.
You have to have talent. You have to get the audition and then you have to nail the audition.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
When I auditioned with Anthony Minghella (The No. 1 Ladies Detective Agency), I loved the audition process, although I hated him for it. Because he had me audition six times for that role. Maybe three hours each. He wanted to see how quickly I could vary.
Coming from L.A. to D.C., I'm always impressed that in D.C., people are doing the things that the people in L.A. are pretending to do. Whenever I'm in D.C., I ask people what they do, and they say, 'I'm with the agency, or I'm with State.' In L.A., I ran into a guy who said, 'I'm working on an audition for a guy who happens to be with an agency.'
No, I went through a process just like I would any other job in which my agent received the breakdown for 'Doctor Who' and I went for my audition. In the original audition, it said you can bring as much to the character, we're looking for what the actor can bring.
The traditional model for a company like Coca-Cola is to hire one big advertising agency and essentially outsource all of its creativity in that area. But Coca-Cola does not do it that way. It knows how to manage creative people and creative teams and it has been quite adept at building a network that includes the Creative Artists Agency in Hollywood, which is a talent agency.
The most telling thing about 'Fargo,' both the now-classic movie and the television series, is that it doesn't take place in Fargo.
It takes good clients to make a good advertising agency. Regardless of how much talent an ad agency may have, it is ineffective without good products and services to advertise.
I don't think they should trust anything that happens in 'Fargo' at all, and I'm sure 'Fargo' fans know not to make the mistake of trusting too much.
A lot of the original people on 'SNL' came through Chicago - and Toronto, I'm sure - but Chicago was the center of it all. When I was there, Chris Farley - I knew him; we hung out and stuff - he went off to 'Saturday Night Live,' it was like, 'It's possible to be from here and make it.'
Aside from a few master teachers that we have had over the years, this has been a completely local talent development. But people have started to come now from Chicago, we have a number of students from Chicago and different places of the country and even in the world.
I always thought Jon Stewart was an extremely good surgeon with his scalpel. He would have Republicans on who, I guess, were unclear about what Stewart was up to, and while Jon Stewart was being nice, he was building a case for drowning them.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
I don't hate Rod Stewart. I think he's an incredible talent, funny, darling. Just didn't make a good boyfriend.
There are no characters in the limited series Fargo that are derived from the characters in the film Fargo. It's hard to describe how remarkably true to the film the show is.
This site uses cookies to ensure you get the best experience. More info...
Got it!