A Quote by Allison Tolman

I never really acted full-time. I certainly had gotten past the point where fame and fortune was something that I was dreaming about or anticipating. — © Allison Tolman
I never really acted full-time. I certainly had gotten past the point where fame and fortune was something that I was dreaming about or anticipating.
I've wished for things and never really had the chance...It's time to stop dreaming and do something about it. You've got to know what you want, then...go.
The only good thing about fame that I've gotten is I've gotten out of a couple of speeding tickets. I've gotten into a restaurant when I didn't have a suit and tie on. That's really about it.
From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
I could tell that Mom was dreaming, but I didn't want to know what she was dreaming about, because I had enough of my own nightmares, and if she had been dreaming something happy, I would have been angry at her for dreaming something happy.
Fame and fortune should never get in front of your passion. The passion will generate the fame and fortune, if you're good enough.
I'll never, ever be full. I'll always be hungry. Obviously, I'm not talking about food. Growing up, I had nothing for such a long time. Someone told me a long time ago, and I've never forgotten it, 'Once you've ever been hungry, really, really hungry, then you'll never, ever be full.'
I'm working full-time on my job and part time on my fortune. But it won't be long before I'm working full-time on my fortune. . . can you imagine what my life will look like?
It's not that I'm not grateful for all this attention. It's just that fame and fortune ought to add up to more than fame and fortune.
It's always fun to do something that you know ultimately is not about the money, and it's certainly not for the fame - because it's a pain in the ass. But it's really the person in the theater seat you think about when you sit in a room and write.
The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don't go to a restaurant and order a meal because you want to have a sh*t.
Insofar as she recognized at all that she was dreaming, she realized that she must be exploring her subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was really clear what the other nine tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
I never really got the book together for the thing, so I had all the songs and the characters. But by the time we'd gotten it on the road and I'd been doing it for 18 months, oh God, I couldn't wait to move on to something else.
When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.
What am I writing for anyway? Is it like dreaming? Is it a benevolent process? Something that moves the past forward? And what about those people who say all you get from looking at the past is a stiff neck?
'Hell Freezes Over' happened, and the Eagles decided to get back to work. We've toured pretty much since then, and I've been around the world a couple times. I had never really gotten any momentum going in a solo project during that period of time - Eagles was pretty much a full time job.
People don't understand that when I grew up, I was never the most talented. I was never the biggest. I was never the fastest. I certainly was never the strongest. The only thing I had was my work ethic, and that's been what has gotten me this far.
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