A Quote by Allison Tolman
In theater, we know a scheduled season months in advance.
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I didn't know what was going to happen with 'Teen Wolf.' I was only scheduled to do four episodes for them, but they kept me on, and I was like, 'Sweet! I'm still employed! That's awesome!' And then, they let me know that they were considering having me for the second half of the season.
I apologize to Koreans, because six months ago I got a tattoo of the red sun with 16 rays. At that time, I didn't know the history, but when I found out, I immediately scheduled it for removal.
Sometimes you know about a job four months in advance. Sometimes you know about a job four days in advance. It's all different, and my thing is just to try to stay prepared. It's like being a boxer. You never know when you're going to get your next fight, so you have to just stay in shape, mentally and physically and creatively.
My understanding is that it's quite difficult for actors in the theater to know anybody but actors in the theater. It's the whole concept of the amniotic fluid surrounding one industry, holding people in place. I've never had a season ticket. I'm always a tourist.
To make the most of a Christmas track, you have to plan months and months in advance to release it or really do anything with.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
Several NBA teams got their best gates every season when they scheduled a doubleheader and booked the Globetrotters and their stooges for the opening game.
I know that three months before the season is not enough to become a good NBA player, but it's a start.
The first theater subscription I ever bought was the August Wilson season at Signature. I remember thinking a whole season to one playwright was a great way for a master to do a victory lap.
I wanted to sign. We scheduled a meeting for the final race of the season in Japan but Frank Williams wasn't there and then he suddenly pulled the offer. On a human level I'm very disappointed with him.
I'm the type of person, I cross the bridges once I get to 'em. I don't try to plan my life three, four months in advance, because you don't know if tomorrow's promised to you.
I remember being interested in theater when I was in school, but I wasn't always engaged in making it a career. I was a cheerleader in Texas, but I tore my ACL, so I was out for the rest of the season. That's when I started putting more of my passion into theater.
Last four months were great for me, was probably one of the best four months of my career, playing unbelievable in the clay court season.
I think every season in pre-season you go into it and everyone is saying, 'they'll be strong next season,' but you never know.
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
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