A Quote by Allison Williams
My whole background is character acting: weird costumes, fat suits, playing men, playing animals - I've never played anyone with whom there's any overlapping Venn diagram.
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The overlap in the Venn diagram of things that men hate for women to wear and the things that I love to wear, it's almost a full overlap on the Venn diagram, which is unfortunate for me.
Getting up and drawing a Venn diagram is a great way to appear smart. It doesn't matter if your Venn diagram is wildly inaccurate, in fact, the more inaccurate the better.
The way I approach acting when there's a real life character, it's sort of like a Venn diagram. What I come up with is some amalgam of the two of us.
When someone on screen portrays a character that behaves in a way you don't expect, you're subverting ideas. So if there's a Venn diagram between why people are drawn to the characters I play, it may be that. But I'd like to think that the craft of acting and the choices I make as an actor are drawing people on their own merits.
I love playing anyone that does stuff that I don't do. The fun of playing an assassin is that I've never killed anybody. The fun of playing a brilliant musician is that I don't actually play any instruments.
I've done a few costume dramas, and people say, 'What was it like wearing the costumes? Did they really help you with your character?,' and most of the time it doesn't make any difference. You're wearing something a bit weird, and it's sort of uncomfortable, but it doesn't really have a huge impact on the part that you're playing.
The men I've played are all respectful and gentlemen towards me. I've never really had a problem. In the past a lot of people would go: 'We're playing a woman.' But now they're thinking: 'We're playing a good player.'
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
It's like a Venn diagram of tragedy.
I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
I've played my fair share of unpleasant character, and I have to tell you that you sleep better when you're playing fun characters. You think you don't take it home with you, at the end of the filming day, but subconsciously, there's something floating around in the background there.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
I see myself as a character actor, and I've always been drawn to playing characters that are different from myself because acting is escapism for me. I've never been that comfortable playing people that are like me.
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