A Quote by Allison Williams

When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.
When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song...With a Twist' music video. I released it just as I moved to L.A.
I think that video content is really important for artists these days. Not necessarily for MTV, but to really just get your name out there as a business card. Nowadays, when people want to hear a new song by an artist they immediately go to YouTube. Stream it.
My music video for 'Go Fish' is really fun. Just like the card game, if you're dealt a crappy hand, play it the best you can and you can always pick another card and try again. It's my little message.
I have a theory - if the music is good and you have good musicians, the name doesn't matter that much. There are a lot of examples of that. The name is just a calling card.
I think a book is your calling card, your business card.
I just released an op-ed in the "Washington Post" that talks about providing an I.D. so that everyone can have an I.D., primarily, the social security card, a picture would be put on that card, and a president can certainly by executive order make this happen so that people will not need a special I.D. They`ll have one to vote.
You have a song, and people know it. It's like a calling card for you.
I got a business card because I wanna win some lunches. That's what my business card says: Mitch Hedberg, Potential Lunch Winner. Gimme a call, maybe we'll have lunch. If I'm lucky!
Someone stole my wallet last week. The guy called me up and he was mad at me. He was like 'you gotta get your finances together. You got no cash, your credit cards are maxed out. You don't even have minutes on your calling card. I had to use my card to call you.'
My mom was a beautician in her early days, and then my parents decided that one of them needed to go to school in order to build the future. So my mom started going to college when I was in eighth grade, and she graduated when I was a freshman in college.
When I signed with the Rockets, I just kind of felt like that was my calling card.
I've known Prince for many years - I worked on the "Raspberry Beret" video - and Kirstie [Alley] and I used to fight about him.He once sent a card [saying] he had penned a song about me, called "Palomino Pleasure Ride." I remember bringing this card to work one time and showing Kirstie and saying: "See? Now who's the better friend?" It was so ridiculous.
It used to just be a SAG card, and then you got an AFTRA card. I got my AFTRA card doing a commercial in Atlanta. I got my SAG card doing a beer commercial from 100 years ago; it was one of the first national commercials with a family in it that was black and normal, and I played the daughter.
There’s no card, business card, better than a compact disc for a composer. It doesn’t half impress people and they get a long way on it ... these composers they will get more performances, more commissions, more recognition just by having that disc
I didn't have song rights for the first video because I didn't know that it was going to do what it did. So for the second video, I decided better safe than sorry. It is a really gray area as to whether or not you even need song rights to make a video like that.
I didn't go to school for illustration. I did larger pieces, mostly drawings and paintings, and minored in video, but when I moved to N.Y.C., I didn't have a studio space anymore and downsized to my desk and started illustrating. I started a greeting card company and sold cards all over the city.
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