A Quote by Allison Williams
I do not want to ask people to go consume something unless I think it is important in some way.
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Everybody wants clean, safe energy. Some people think nuclear is the way to go. Some people think coal is the way to go. Some people think wind is the way to go. And there's always balances on that.
I think people should consume their music any way they want. If it's more practical for them to listen to it on an iPod or something, that's fine by me.
There's a lot of people that I disagree with that I think I could have interesting conversations with. What I don't want to get into is manufactured conflict. I would much rather talk to someone like Dr. Rhonda Patrick or Randall Carlson and be mesmerized by information. I guess in a way that's selfish, or maybe not objective of me. The older (and hopefully wiser) I get the less interested I am in conflict. I don't mind disagreeing with people in a civil way, but I definitely don't want to go out of my way to have an argument unless it's a really important subject.
The greatest missile in the world is useless ... unless it's targeted. A torpedo is adrift unless it has someplace to go. An arrow is pointless unless it hits something. So it's important for kids--for everyone, even if you fail at first--to target something and head in that direction. With all your might.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.
I want to make people laugh, but I also want to do things that have a serious impact on people - that affect the way they think about something or help them in some way.
It's an important moment as a reader, I think, when you can forget the question of whether you need to know what happened. Some people really want hard explanations. I'm the other way. I like mysteries. I don't want to frustrate people. I don't want people to feel like they got no answers, but I want to approach the mystery and sit with it.
If a subject has a delicate surface to it, you do not want to go charging in there. You need to establish some kind of presence and understanding. I will say, Try to forget I'm here. I won't ask you to pose, I won't ask you to do anything. It's important that I just be allowed to be around, to be present. Photographing people requires a willingness to be rejected. So, I think the best approach is to be honest and direct. Very often, I tell them, You don't know me. There's no reason why you should trust me... the only thing I can promise is that I'll try to do the most honest work I can.
You can't ask for what you want unless you know what it is. A lot of people don't know what they want or they want much less than they deserve. First you have figure out what you want. Second, you have to decide that you deserve it. Third, you have to believe you can get it. And, fourth, you have to have the guts to ask for it
So when people ask Galbraith, why is the change in marijuana laws important to the people of this country, because it returns to the people the right to plant a seed in God's earth and consume the green natural plant that comes up out of it.
I think the Internet just makes it a lot easier to consume content and I think people are giving more respect to the people that are on it, which I think is really important.
You know, I think it's something I want to teach my children, to ask questions and not be afraid to disagree with people in power. Always question, scrutinize everything they do, because they are leading the country, and it's important to me. That is patriotic.
I think that's the key to any artistic endeavor: You want it to feel fresh and not have people look at it like it's re-creation of something else unless it's done in a really strong way.
I believe in the power of motion, the wisdom of gravity, the emptiness of true love, the fact that there is no way out but through the body, no way up unless we all go together, no way down unless we follow the beat, no way in unless we embrace the dark.
I think life is always dangerous. Some people get afraid of it. Some people don't go forward. But some people, if they want to achieve their goal, they have to go. They have to move.
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