A Quote by Allison Williams
I know what I'm like when I don't have a project coming up, and that's the mode I'm almost more comfortable in. That's when I get really scrappy and creative.
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You know, when you've been to the top, you get comfortable, and you know what it feels like to be a champion, to have nice things and all that. You know, it's just not as appealing as it was coming up.
Once you're in a room like '30 Rock,' it's a creative setting, so you write more even after you go home, just because you're still in that mode of coming up with jokes. So the job wasn't sapping standup jokes, but it was sapping stand up time and energy, and I wouldn't be able to travel as much.
I know my whole life has been like that, you know, scrappy, fighting for everything you get in life and you appreciate it more.
I started out taking any project that I could because you want the work. You want the opportunity to create, and I'm glad I did because it forces you to really get an understanding of your vision and your voice as a designer when you have to be scrappy like that.
To be fair, on a good project, no matter whether it's improvised or scripted or meticulously prepared, or all up for grabs, it's always, always beyond the safety zone. Every project becomes interesting and exciting once you move beyond that routine. You always aspire to that. It's not that this improvisational mode is the only mode that facilitates that.
I don't really know how to do anything else except music. But I do. I've never felt more comfortable doing it. When I was put into arenas and stadiums when I was 27, I always thought somebody was going to say, 'No, they're not here for you.' You don't quite believe that they actually like you, because it's an extreme change in your life. Which is insane really, because they bought the ticket. So you start feeling more comfortable in your skin the more you do something, or the older you get.
One place that I really feel comfortable is being a comedienne. I'm very socially inept. There's so many things that I can not do in life, and this is, like, the one thing that I have mastery over. It's my world. And anybody who's coming to the show, it's like they're coming because they know that this is my world.
You get really scrappy when you're making things for zero dollars, and you just have to keep thinking like that. It's not like, 'Oh, we now have a little bit more money, let's do things differently.' If you just keep boiling it down to the simplest possible way to make it, I think that always ends up being the best.
It almost seems as if autumn were the true creator, more creative than the spring, which is too even-toned, more creative when it comes with its will-to-change and shatters the much too ready-made, self-satisfied and really almost bourgeois-complacent image of summer.
You have to get comfortable [with your work], you really have to know what you're doing, and it has to be almost boring to you to be able to do it well.
I'm clearly doing what I want. I hope kids can see my act and feel like they can be slightly more comfortable in their own skin because I'm being so ridiculously comfortable in mine. I'm not that comfortable in my skin the moment I walk offstage. But I try to project that while I'm on it.
I'm just looking forward to doing these videos with AXE. Doing more directing, collaborating with them, finding ways to kind of like tap into temptation with their market and their audience and mine and find cool, creative ways to get the brand out to people. And I think they're doing a really, really good job. So we've got some cool stuff coming up.
I love coming up with the stories and being creative and working with creative people and coming up with visuals and creating characters.
I appreciate a slight yield, lightness of weight, some motion if possible, because in moving about, the human body determines... the comfort and the measurements of its environment... the human measure is still the strongest factor. But coming back to the chair, there are certain motions we go through - we like to lean back, like to toss things - and if the chair's adaptable it responds and it's almost like wearing a comfortable coat; you really don't know you have it on.
I approach each project with a new insecurity, almost like the first project I ever did, and I get the sweats, I go in and start working, I'm not sure where I'm going.
I have been doing some writing on the side a little bit with artists that I'm really excited about. Kind of more up and coming people. But, I'm focusing more on my own project. It's a full time job being an artist!
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