A Quote by Allu Arjun

I am a variety machine; I look for variety in my characters, and an extra edge in the characterisation helps in bringing out a better performance. — © Allu Arjun
I am a variety machine; I look for variety in my characters, and an extra edge in the characterisation helps in bringing out a better performance.
I've always been a fan of or desired to or responded to variety. I like variety in life, so variety in work is a must.
When Coleridge tried to define beauty, he returned always to one deep thought; beauty, he said, is unity in variety! Science is nothing else than the search to discover unity in the wild variety of nature,-or, more exactly, in the variety of our experience. Poetry, painting, the arts are the same search, in Coleridge's phrase, for unity in variety.
I am doing characters that have so many layers. And I am very lucky that I show a lot of variety.
The less someone knows about me, the better, because my intention is to play a variety of characters.
A lot of people get stereotyped into roles just from how they look, and I have played such a variety of characters.
Variety of characters and themes bring out the best in me.
Macroscopic objects, as we see them all around us, are governed by a variety of forces, derived from a variety of approximations to a variety of physical theories. In contrast, the only elements in the construction of black holes are our basic concepts of space and time. They are, thus, almost by definition, the most perfect macroscopic objects there are in the universe.
In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.
I have a variety of ways that I make music, but I'm working with the Thingamajigs in a particular way, which is: They are bringing to me their performance skills and their unusual instruments, which I'm relishing. They're really beautiful. The other thing is improvisation - these players improvise and they do it very beautifully, as a matter of fact.
Whoever wants to tell a variety of stories ought to have a variety of beginnings.
Safety and certainty in oil lie in variety, and variety alone.
Variety is what I would recommend: As variety is the spice of life in food, so it is in exercise. Change it up. But most of all, don't overdo it.
I walk in the garden, I look at the flowers and shrubs and trees and discover in them an exquisiteness of contour, a vitality of edge, or a vigour of spring, as well as an infinite variety of colour that no artefact I have seen in the last sixty years can rival...each day, as I look, I wonder where my eyes were yesterday.
The notion of the infinite variety of detail and the multiplicity of forms is a pleasing one; in complexity are the fringes of beauty, and in variety are generosity and exuberance.
The truth is that every fanbase has its 'toxic' side, and that's because every fanbase has a huge variety of ages, a huge variety of opinions, and a huge variety of maturities.
I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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